薩沙·斯坦尼西奇，1978年生於波斯尼亞的塞爾維亞維斯格拉德市。14歲時遷居德國海德堡。自2004年起，就讀於德國萊比锡文學院。在大學期間，斯坦尼西奇就獲得瞭無數的殊榮和廣泛的贊譽。2005年，憑藉其處女作《士兵如何修理留聲機》，他獲得瞭英格博·巴赫曼文學奬的“讀者最喜愛作品奬”。

Heralded as a "sorcerer of narrative" ( Foreign Policy ) with an instinct for "poetic and intoxicating language" ( Freie Presse ), twenty-nine-year-old Sasa Stanisić bounded onto the international literary scene to great fanfare and acclaim. How the Soldier Repairs the Gramophone --the tale of a boy who experiences the war in Bosnia and finds the secret to survival in language and stories--was the only debut novel to be short-listed for the top literary prize when it was published in Germany, and indeed every page of this glittering, exuberant tale thrums with the joy of storytelling.

For young Aleksandar Krsmanović, his grandfather Slavko's credo--"the most valuable gift of all is invention, imagination your greatest wealth"--endows life in Visegrad with a kaleidoscopic brilliance. Neighbors, friends, and family past and present take on a mythic quality; even the River Drina courses through town like the pulse of life itself. So when his grandfather dies suddenly--just as Carl Lewis races to the finish line on their television screen--Aleks calls on this gift of storytelling to see him through his loss and grief. It is a gift he will have to call on again when soldiers transform Visegrad--a town previously unconscious of racial and religious divides--into a nightmarish landscape of terror and violence.

Though Aleks and his family survive by fleeing to Germany, he is haunted by his past, and especially by Asija, the mysterious red-headed girl he tried to save. Desperate to learn of her fate, he sends manic, anguished letters out into the abyss, once again turning to language to conjure all that he's had to forfeit--his homeland, his mother tongue, his innocence.

Beneath the infectious vibrancy of Stanisić's voice is a sweetness and pathos that will haunt the reader long after the book ends. Powerful, vivid, funny, and devastating, How the Soldier Repairs the Gramophone captures the catastrophe of war through a child's eyes and shows how words have the ability to mend what is broken and resurrect what is lost.