Chinese Graphic Design in the Twentieth Century 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Scott Minick 作者

Thames & Hudson

译者

2003-2-1 出版日期

160 页数

0 价格

丛书系列

9780500235980 图书编码

Chinese Graphic Design in the Twentieth Century 在线电子书图书标签: 平面设计 Design 设计中国艺术史字体历史 visual-culture

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发表于2024-11-14

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Chinese Graphic Design in the Twentieth Century 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Chinese Graphic Design in the Twentieth Century 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Chinese Graphic Design in the Twentieth Century 在线电子书用户评价

评分☆☆☆☆☆

簡直不能再煩這門課選給我導的內容了。大概是最討厭的時間段

评分☆☆☆☆☆

有一些觀點很有意思，此時雜誌的讀者群設定，shanghai style的國際影響力、中國花窗等傳統建築元素與Art Deco的融合

评分☆☆☆☆☆

簡直不能再煩這門課選給我導的內容了。大概是最討厭的時間段

评分☆☆☆☆☆

有一些觀點很有意思，此時雜誌的讀者群設定，shanghai style的國際影響力、中國花窗等傳統建築元素與Art Deco的融合

评分☆☆☆☆☆

有一些觀點很有意思，此時雜誌的讀者群設定，shanghai style的國際影響力、中國花窗等傳統建築元素與Art Deco的融合

Chinese Graphic Design in the Twentieth Century 在线电子书著者简介

Scott Minick spent more than a decade in Paris as a creative director and a Professor of Design at Parsons Paris School of Design before relocating to Hong Kong in 1996 to establish his own consulting firm, Minick Jiao Design.

He is married to Jiao Ping, who is a partner in Minick Jiao Design overseeing brand development for numerous international clients.

Chinese Graphic Design in the Twentieth Century 在线电子书图书目录

Chinese Graphic Design in the Twentieth Century 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Chinese Graphic Design in the Twentieth Century 在线电子书图书描述

From posters and advertisements to book covers and magazines, here is an astonishing collection of graphics, brilliantly uncovered by the authors, the long-forgotten sources, mostly in China itself, having survived innumerable upheavals: natural catastrophes, war and revolution.

Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China. We see Art Deco coming to China in the Shanghai Style; and the birth of a dynamic national design style, born of Russian Constructivism and China's own drive for new technology. The Socialist Realist art of Mao in turn adopted folk traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989.

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