Enchantment 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Enchantment

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Jean Starobinski 作者
Columbia University Press
Delogu, C. Jon 譯者
2008-04-18 出版日期
256 頁數
GBP 27.50 價格
Hardcover
叢書系列
9780231140904 圖書編碼

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發表於2024-12-29

Enchantment 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Enchantment 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Enchantment 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Enchantment 在線電子書 用戶評價

評分

讀的第一本兒斯塔羅賓斯基是歌劇賞析,堪比多年前從 On Opera 入手開始接觸 Bernard Williams瞭

評分

讀的第一本兒斯塔羅賓斯基是歌劇賞析,堪比多年前從 On Opera 入手開始接觸 Bernard Williams瞭

評分

讀的第一本兒斯塔羅賓斯基是歌劇賞析,堪比多年前從 On Opera 入手開始接觸 Bernard Williams瞭

評分

讀的第一本兒斯塔羅賓斯基是歌劇賞析,堪比多年前從 On Opera 入手開始接觸 Bernard Williams瞭

評分

讀的第一本兒斯塔羅賓斯基是歌劇賞析,堪比多年前從 On Opera 入手開始接觸 Bernard Williams瞭

Enchantment 在線電子書 著者簡介


Enchantment 在線電子書 著者簡介


Enchantment 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Enchantment 在線電子書 圖書描述

We often look to the theater for spectacle and wonder, but in opera, we find pure enchantment. What is it about the marriage of music and the stage that fills us with such bewilderment and passion? How does the sensual space of opera transport us into the realm of dream? Jean Starobinski considers the allure of several seducers and seductresses from nineteenth-century opera-Monteverdi's Poppea, Handel's Alcina, and Massenet's Manon, among others-and how their stories are woven into the fabric of Western culture. A talented storyteller and renowned critic of literature and music, Starobinski moves from musical analysis and textual exegesis to an investigation of the political, social, and aesthetic scene of Europe at the time. He traces the elements of theater, poetry, painting, sculpture, dance, and music as they occur in operatic performance, and shows how opera's use of narrative genres, especially the fairy tale, in turn influenced many important short stories, novels, and other works. Nineteenth-century romantics were drawn to opera because of their desire to revive a religious vision of the world that the Enlightenment suppressed. Starobinski revisits the experiences of Rousseau, Stendhal, Hoffmann, Balzac, and Nietzsche, major writers who fell for opera's portrayal of "heaven," the loss of one's love, and the task of the artist, whether composer or performer. Starobinski's critical breadth and depth, as well as his eclectic taste and keen observation, echo such great comparative critics as Erich Auerbach, Rene Wellek, George Steiner, Harold Bloom, and Angus Fletcher. This spellbinding book will enchant not only fans of the opera, but also those who wish to understand the form's enduring heritage in Western culture.

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