This lavish exhibition catalog brings to life Antioch, the magnificent city known for its Hellenic culture and luxurious way of life, once ranking with Rome, Alexandria, and Constantinople as one of the great metropolises of the Roman and early Christian world. Located in what is now southern Turkey, Antioch was the capital of Ancient Syria, a vital marketplace at the crossroads between East and West. It was here that St. Paul preached to the first gentile community to be called "Christians" and where a Greek-speaking Jewish culture flourished alongside Roman, Egyptian, and Near Eastern cults. A large middle-class shared in the wealth and culture of the city, and art abounded in numerous forms, especially in beautiful mosaics depicting scenes from mythology and everyday life. Featuring 118 objects excavated from the city's ruins, all reproduced in full color, Antioch: The Lost Ancient City recreates the spatial sensation, visual splendor, and cultural richness of this urban center.
Devastated by an earthquake in 526 C.E., as well as by fires, plagues and invasions by Persians, Antioch survived only in memory through ancient written accounts until the 1930s, when excavations revealed a wealth of finds from the private houses of its inhabitants, including a large cache of floor mosaics. In addition, archaeologists found several churches, a stadium, a circus, a theater, and several baths. This catalog displays and describes the excavated artifacts--mosaics, sculpture, glass, metalwork, coins--within their architectural and cultural contexts, thereby evoking the street life as well as the domestic lives of Antioch's citizens. Among the treasures are the mosaics The Drinking Contest between Dionysos and Herakles and The Judgment of Paris, the Antioch chalice, gold jewelry from Syria, bronze tyche figurines, and mosaics of river and sea deities. Antioch emerges as a compelling model of a melting-pot city, one that challenges our own notions of civic community and diversity.
The contributors are Susan Boyd, Bernadette Brooten, John J. Dobbins, Anna Gonosova, Susan Ashbrook Harvey, Florent Heintz, Sandra Knudsen, Christine Kondoleon, Michael Maas, William Metcalf, James Russell, Sarolta Takacs, Cornelius Vermeule III, and Fikret Yegul.
EXHIBITION SCHEDULE:
The Worcester Art Museum
Worcester, Massachusetts October 7, 2000-February 4, 2001
The Cleveland Art Museum Cleveland, Ohio March 18, 2001-June 3, 2001
The Baltimore Museum of Art Baltimore, Maryland September 16, 2001-December 30, 2001
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评分这本书简直是一部引人入胜的史诗,我完全沉浸在了作者构建的那个宏大而又细腻的世界里。故事的节奏把握得恰到好处,既有波澜壮阔的战争场面,也有触动人心的个体命运。我尤其欣赏作者对人物心理的刻画,那些复杂的情感纠葛,那些在道德困境中的挣扎,都让我感同身受。读到某些转折点时,我甚至会放下书,在房间里踱步,思索人物的选择是否正确。作者似乎拥有洞察人性的能力,将角色的优缺点都展现得淋漓尽致,没有绝对的英雄或恶棍,每个人都在自己的立场上努力求存。那种历史的厚重感和宿命的无常感交织在一起,让人在合上书本后,仍久久不能平静。阅读的过程就像进行了一次漫长而深刻的自我对话,关于忠诚、背叛、荣誉和牺牲,这些主题在故事中得到了极其丰富的探讨。
评分当我翻开这本书的扉页时,我并没有期待它能给我带来如此强烈的感官体验。作者的语言风格如同陈年的美酒,醇厚而富有层次感。他没有使用华丽辞藻堆砌的浮夸技巧,而是用一种近乎冷静的笔触,描绘出那个特定时代背景下,普通人和权力中心人物的真实面貌。情节的推进是渐进式的,像解谜一样,每一个看似不经意的细节,最终都指向了核心的冲突。我特别留意到作者在场景描写上的功力,无论是塞北的萧瑟寒风,还是宫廷内的奢靡浮华,都栩栩如生地浮现在眼前,让人仿佛能闻到空气中的气味。这种沉浸式的叙事,极大地增强了阅读的代入感,让我完全忘记了自己是在阅读,而是在亲身经历这一切。这本书的深度,绝非三言两语可以概括,它需要读者静下心来,细细品味。
评分这本书带给我一种久违的、纯粹的“阅读乐趣”。它没有现代小说常见的那些刻意的反转和故作高深的隐喻,它的魅力在于其扎实的基本功和对人性的深刻洞察力。故事的主角群像非常饱满,即便是篇幅不多的配角,也拥有令人难忘的弧光。特别是关于友谊和背叛那一条线索,处理得极其自然,没有狗血的刻意煽情,一切冲突都源于角色自身的性格和环境的压力。我喜欢作者在关键情节处理上的克制,懂得留白,让读者自己去填补情绪的空白,这种互动感让阅读体验更加丰富。读完后,我感到的是一种满足感,不是被故事的结局所震撼,而是为自己完整地走完了这段旅程而感到充实。
评分这是一本需要耐心去阅读的作品,它不像快餐文学那样即时满足,它的回报是长久的回味。作者对历史细节的考据似乎达到了近乎偏执的程度,那些关于服饰、礼仪、乃至日常饮食的描写,都精准而富有质感,这为整个故事提供了一个坚不可摧的基石。节奏上,它更倾向于古典叙事,娓娓道来,不急不躁,反而因此营造出一种庄重典雅的氛围。我特别欣赏作者对于环境氛围的营造,每当场景转换,我都能清晰地感受到那种气候、那种光影的变化。阅读过程中,我感觉自己仿佛拿到了一把古老的钥匙,开启了一扇通往另一个时代的门,里面的一切都按照其自身的逻辑运行着,既陌生又无比真实。这本书无疑是作者心血与智慧的结晶。
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