Weather Eye Open

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The windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "inspiration and expiration of Being." The windmill serves as analogue to the perceiving subject, to the poet, whose consciousness, though rooted and partial, is yet always receptive to being energized, turned. Like open sails, the perceiver ushers the weather indoors, converting one motion, the wind, to another, the grinding burrstones. The poems in this collection pursue a similar transmutation through language, a staying open to its various weather (and whether) systems. For Sarah Gridley, language strikes at the "X" of experience: part presence and part absence, part spirit and part matter, part home and part homesickness, part harnessed and part wild. In the face of such weather, the stance of the poet is both rapacious and passive, searching and struck still.

出版者:University of California Press
作者:Sarah Gridley
出品人:
页数:120
译者:
出版时间:2005
价格:USD 17.95
装帧:Paperback
isbn号码:9780520242937
丛书系列:
图书标签:
  • Poetry 
  •  
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The windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "inspiration and expiration of Being." The windmill serves as analogue to the perceiving subject, to the poet, whose consciousness, though rooted and partial, is yet always receptive to being energized, turned. Like open sails, the perceiver ushers the weather indoors, converting one motion, the wind, to another, the grinding burrstones. The poems in this collection pursue a similar transmutation through language, a staying open to its various weather (and whether) systems. For Sarah Gridley, language strikes at the "X" of experience: part presence and part absence, part spirit and part matter, part home and part homesickness, part harnessed and part wild. In the face of such weather, the stance of the poet is both rapacious and passive, searching and struck still.

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如果一定要选一位人群中的“榜样”作为自己愿意接近的样子,那大概就是我的老师Sarah Gridley。 嘻嘻,不是王菲。我可没有她那内种一开口就能颠倒众生的嗓子,再说我也不够她拽。 也不是Addie。我没有她内种随时随地救人于水火的魄力,也没有在最关键时刻做出最正确判断的英...

评分

如果一定要选一位人群中的“榜样”作为自己愿意接近的样子,那大概就是我的老师Sarah Gridley。 嘻嘻,不是王菲。我可没有她那内种一开口就能颠倒众生的嗓子,再说我也不够她拽。 也不是Addie。我没有她内种随时随地救人于水火的魄力,也没有在最关键时刻做出最正确判断的英...

评分

如果一定要选一位人群中的“榜样”作为自己愿意接近的样子,那大概就是我的老师Sarah Gridley。 嘻嘻,不是王菲。我可没有她那内种一开口就能颠倒众生的嗓子,再说我也不够她拽。 也不是Addie。我没有她内种随时随地救人于水火的魄力,也没有在最关键时刻做出最正确判断的英...

评分

如果一定要选一位人群中的“榜样”作为自己愿意接近的样子,那大概就是我的老师Sarah Gridley。 嘻嘻,不是王菲。我可没有她那内种一开口就能颠倒众生的嗓子,再说我也不够她拽。 也不是Addie。我没有她内种随时随地救人于水火的魄力,也没有在最关键时刻做出最正确判断的英...

评分

如果一定要选一位人群中的“榜样”作为自己愿意接近的样子,那大概就是我的老师Sarah Gridley。 嘻嘻,不是王菲。我可没有她那内种一开口就能颠倒众生的嗓子,再说我也不够她拽。 也不是Addie。我没有她内种随时随地救人于水火的魄力,也没有在最关键时刻做出最正确判断的英...

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