Niccolò Machiavelli (born May 3, 1469, Florence-died June 21, 1527, Florence) Italian statesman, historian, and political theorist. He rose to power after the overthrow of Girolamo Savonarola, was appointed secretary and Second Chancellor to the Florentine Republic in 1498. Working as a diplomat for 14 years, he came in contact with the most powerful figures in Europe. He was dismissed when the Medici family returned to power in 1512, and during the next year he was arrested and tortured for conspiracy. Though soon released, he was not permitted to return to public office. His famous treatise The Prince (1513, published 1532) is a handbook for rulers; though dedicated to Lorenzo de' Medici, ruler of Florence from 1513, it failed to win Machiavelli his favour. Machiavelli viewed The Prince as an objective description of political reality. Because he viewed human nature as venal, grasping, and thoroughly self-serving, he suggested that ruthless cunning is appropriate to the conduct of government. Though admired for its incisive brilliance, the book also has been widely condemned as cynical and amoral, and “Machiavellian” has come to mean deceitful, unscrupulous, and manipulative. His other works include a set of discourses on Livy (completed c. 1518), the comedy The Mandrake (completed c. 1518), The Art of War (published 1521), and the Florentine Histories (completed c. 1525).

'A prince must not have any other object nor any other thought...but war, its institutions, and its discipline; because that is the only art befitting one who commands.' When Machiavelli's brief treatise on Renaissance statecraft and princely power was posthumously published in 1532, it generated a debate that has raged unabated until the present day. Based upon Machiavelli's first-hand experience as an emissary of the Florentine Republic to the courts of Europe, The Prince analyses the usually violent means by which men seize, retain, and lose political power. Machiavelli added a dimension of incisive realism to one of the major philosophical and political issues of his time, especially the relationship between public deeds and private morality. His book provides a remarkably uncompromising picture of the true nature of power, no matter in what era or by whom it is exercised. This fluent new translation is accompanied by comprehensive notes and an introduction that considers the true purpose of The Prince and dispels some of the myths associated with it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.