Engraving the Savage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Engraving the Savage

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Michael Gaudio 作者
Univ Of Minnesota Press
譯者
2008-2-29 出版日期
240 頁數
USD 25.00 價格
Paperback
叢書系列
9780816648474 圖書編碼

Engraving the Savage 在線電子書 圖書標籤: PrintCulture  Postmodernism  EarlyModern   


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發表於2024-11-23

Engraving the Savage 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Engraving the Savage 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Engraving the Savage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Engraving the Savage 在線電子書 用戶評價

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chapter one savage marks

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*How inability to understand extends imagination and evokes emotional response.

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chapter one savage marks

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*How inability to understand extends imagination and evokes emotional response.

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*How inability to understand extends imagination and evokes emotional response.

Engraving the Savage 在線電子書 著者簡介


Engraving the Savage 在線電子書 著者簡介


Engraving the Savage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Engraving the Savage 在線電子書 圖書描述

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage "demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own "civil" image-making practices and the "savage" practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry's engravings describe a deeply ambivalent pictorial space in between" civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

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