Shadow Country (Modern Library)

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出版者:Modern Library
作者:Peter Matthiessen
出品人:
页数:912
译者:
出版时间:2008-04-08
价格:USD 40.00
装帧:Hardcover
isbn号码:9780679640196
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图书标签:
  • PeterMatthiessen
  • 小说
  • 美国文学
  • 西部小说
  • 历史小说
  • 犯罪小说
  • 现代文学
  • 传记
  • 美国历史
  • 20世纪文学
  • 小说
  • 纪实文学
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2008 NATIONAL BOOK AWARD WINNER

Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.

Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."

Praise for Shadow Country

“ Shadow Country is altogether gripping, shocking, and brilliantly told , not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men . Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner . In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time .” — The New York Review of Books

“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.” — The Los Angeles Times

“ Gorgeously written and unfailingly compelling, Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick .” — National Geographic Adventure magazine

“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel .” — Miami Herald

“Matthiessen is writing about one man's life in Shadow Country , but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost…. Even among a body of work as magnificent as Matthiessen's, this is his great book. ” — St. Petersburg Times

“ Shadow Country is a magnum opus . Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” -- Seattle Times

“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star

“Matthiessen’s Watson trilogy is a touchstone of modern American literature …this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed. ” — Publishers Weekly , starred review, Pick of the Week

“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country . This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible , that is; this is a thick porterhouse of a novel .” — Men’s Journal

"The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing ." -- Richard Ford

"Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates

"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement . SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy ." -- W.S. Merwin

《Shadow Country》 关于这本书: 《Shadow Country》是一部引人入胜的时代史诗,它将读者带入美国西部一个充满尘土、梦想与挣扎的时代。作者以其细腻的笔触和深刻的历史洞察力,编织了一幅广阔而复杂的人文画卷。故事围绕着一群在边疆艰难求生的人物展开,他们每个人都背负着各自的过去,面对着未知的未来。 故事背景: 故事发生在十九世纪末,一个美国西部正经历剧烈变革的时期。旧的秩序逐渐瓦解,新的社会结构正在形成。法律与混乱并存,希望与绝望交织。在这片广袤而残酷的土地上,定居者、淘金者、原住民以及形形色色的边缘人物,都在为了生存和心中的目标而奋斗。文明的触角缓慢而坚定地伸向这片充满野性的土地,随之而来的是机遇,但也伴随着冲突和失去。 人物群像: 书中塑造了一系列鲜活而富有层次的人物。他们并非简单的英雄或反派,而是有着复杂动机和内心矛盾的普通人。 约翰·卡特(John Carter): 一个饱经风霜的牛仔,内心深处隐藏着一段不为人知的往事。他沉默寡言,身手矫健,是这片土地上的一个独特存在。他在寻找救赎,或者只是寻找一个能让他安宁的地方。 玛丽·安·琼斯(Mary Ann Jones): 一位坚韧不拔的女性,独自经营着一个小型农场。她面对着自然环境的严酷和社会的偏见,用自己的方式守护着家园和尊严。她的故事充满了女性在逆境中的力量和智慧。 塞缪尔·布莱克伍德(Samuel Blackwood): 一位怀揣着改变命运梦想的年轻人,来到西部寻找财富。他初来乍到,对这片土地充满憧憬,但也很快经历了理想与现实的碰撞,不得不学会适应和生存。 红鹰(Red Hawk): 一位与这片土地有着深刻联系的原住民,他的部落正面临着文明入侵的巨大压力。他既要保护族人的传统,又要应对外部世界的变化,他的命运与这片土地的命运紧密相连。 主题探讨: 《Shadow Country》深入探讨了几个核心主题: 边疆的生存与适应: 作者生动地描绘了人们如何在恶劣的环境中求生,如何与自然搏斗,以及如何适应这个不断变化的世界。这不仅仅是物质上的生存,更是精神上的坚韧。 文明与野蛮的界限: 随着定居者的到来,传统的原住民生活方式受到冲击。书中细致地展现了两种文明的碰撞,以及在这种碰撞中,什么是真正的“文明”,什么是“野蛮”。 个人的救赎与遗忘: 许多角色都背负着过去,他们在西部寻找新的开始,或是试图逃避过去的阴影。故事描绘了他们在追寻救赎过程中所经历的挣扎、牺牲和最终的成长。 人性的复杂性: 在极端的环境下,人性中最光明和最黑暗的一面都会被激发出来。书中刻画的人物,无论出身如何,都展现了人性的多面性,他们的选择和行为往往是复杂而充满张力的。 写作风格: 作者的语言风格朴实而富有力量,能够精准地捕捉到西部世界的质感。风景的描写充满了画面感,无论是广袤的平原、险峻的山脉,还是荒凉的沙漠,都仿佛触手可及。人物的对话真实而生动,充满了那个时代的特色。情节的推进虽然不时有波澜,但更多的是一种沉静的叙事,让读者在字里行间体会到历史的厚重和人物命运的起伏。 《Shadow Country》不仅仅是一个关于西部冒险的故事,它更是一部关于人性、关于历史、关于在不断变化的世界中寻找意义的深刻作品。它邀请读者一同踏入那片充满传奇色彩的土地,感受那些在阴影中闪耀的生命之光。

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《Shadow Country》(现代文库版)给我留下了极为深刻的印象,它更像是一幅幅生动而又充满张力的时代画卷,而非仅仅一个故事。我被作者对于美国西部早期社会,那种混乱、暴力与道德模糊的地带的刻画所深深吸引。那种文明尚未完全扎根,原始的生存法则占据主导地位的氛围,被描绘得淋漓尽致。我感觉自己仿佛穿越了时空,亲身经历了那些动荡不安的岁月,看到了那些在夹缝中求生的人们。书中对暴力和人性的探讨,并非是简单粗暴的宣泄,而是透着一种冷峻的观察和深刻的洞察。我注意到,即使在最极端的情况下,角色们身上依然保有某种原始的尊严和生存的意志,这使得他们的人物形象更加立体和令人难以忘怀。每一次翻开书页,都像是在揭开一层层历史的迷雾,看到那些被时间尘封的真相。作者的语言风格,有时显得粗粝而直接,有时又带着一种诗意的忧伤,这种多层次的表达方式,恰恰与书中所描绘的那个复杂的世界相得益彰。我特别喜欢书中那些关于自然环境的描写,它们不仅是背景,更是影响人物命运和内心状态的重要因素。

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《Shadow Country》(现代文库版)是一本让我感到震撼和敬畏的作品。它以一种极其有力的方式,展现了人类在极端环境下的生存状态,以及人性中那些最原始、最复杂的情感。我被书中描绘的那个充满冲突与挣扎的世界深深吸引,仿佛能够闻到泥土的芬芳,感受到阳光的炙烤。作者对于人物的刻画,尤其是那些在边缘地带挣扎求生的人们,充满了深刻的洞察和人道的关怀。我发现,即使在最黑暗的时刻,角色们身上依然闪烁着不屈的生命之光,他们的坚持和抗争,让我看到了人性的韧性。这本书的语言风格,时而粗粝,时而又充满诗意,这种强烈的对比,恰恰突显了书中描绘的那个世界的复杂性和多样性。我尤其欣赏作者对于环境描写的出色运用,那些广阔而荒凉的风景,不仅仅是背景,更是影响人物命运和内心状态的重要元素。每一次阅读,都像是一次深入人心的探索,让我对人性有了更深刻的理解。

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《Shadow Country》(现代文库版)是一次极其引人深思的阅读旅程。它让我跳出了日常的舒适区,去直面一些更加沉重和难以回避的主题。我被书中那种原始的、充满生命力的描写所震撼,仿佛能够听到荒野的呼唤,感受到风沙的侵蚀。作者对角色的塑造,尤其是那些边缘人物,充满了同情与理解,他们不是脸谱化的好人或坏人,而是活生生的、有血有肉的人,他们有自己的欲望,有自己的挣扎,也有自己的希望。我发现自己越来越沉浸在书中所构建的那个独特的世界里,那个充满暴力、贫困,但又不乏人情味的时代。书中对道德界限的模糊描绘,让我不得不去思考,在极端环境下,人性的底线究竟在哪里。这种对人性的深刻剖析,让我读完之后久久不能平静。我特别喜欢作者对细节的关注,那些看似微不足道的场景和对话,却往往能串联起人物复杂的内心世界,揭示出他们行为背后的动机。这种叙事方式,让整个故事显得更加真实和可信。

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读完《Shadow Country》(现代文库版),我脑海中挥之不去的是一种近乎原始的力量感,仿佛我被直接抛入了那个充满粗粝现实和扭曲道德的世界。这本书的吸引力并非来自于流畅的情节或华丽的辞藻,而是它那股不容置疑的真实感,那种深入骨髓的绝望与一丝不屈的顽抗交织在一起的复杂情感。作者描绘的角色,即便在最黑暗的时刻,也总能闪烁出人性中最微弱却也最顽固的光芒,他们的生存挣扎,他们的道德困境,都让我深思。我常常在想,是什么样的环境,什么样的过往,才能塑造出这样一群既饱受创伤又坚韧无比的灵魂?书中的场景,无论是荒凉的旷野,还是破败的小镇,都被描绘得栩栩如生,仿佛能够闻到泥土的气息,感受到风的凛冽。这种身临其境的体验,让我沉浸其中,难以自拔。阅读的过程,与其说是享受,不如说是一种洗礼,它挑战了我对善与恶的既有认知,让我不得不去重新审视那些隐藏在人性深处的阴影。我尤其欣赏作者在细节上的处理,那些看似不经意的描写,却往往能精准地触碰到角色的内心世界,揭示出他们行为背后更深层次的动机。这是一种极其高明的叙事手法,它不直接告诉你答案,而是让你自己去发掘,去体会。

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我必须说,《Shadow Country》(现代文库版)是一本极具挑战性的书,但正是这份挑战,让我获得了前所未有的阅读体验。这本书让我看到了人性的另一面,一种在绝境中挣扎求生,却依然保有某种执拗和坚韧的生命力。作者并没有试图美化任何事物,而是以一种近乎残酷的真实,展现了那个时代背景下,个体所面临的生存压力和道德困境。我发现自己常常被书中角色的命运所牵动,为他们的选择而纠结,为他们的遭遇而感慨。那种在灰色地带游走,试图寻找一丝光明却又常常被黑暗吞噬的挣扎,让我对人性的复杂有了更深的理解。书中的叙事节奏,有时显得缓慢而沉重,仿佛在一步步地引导读者进入更深邃的内心世界,有时又充满了爆发力,让人猝不及防。这种张弛有度的叙事,让整个阅读过程充满了戏剧性。我尤其欣赏作者对于人物内心世界的细腻描绘,那些隐藏在言语之下的情感,那些未曾说出口的遗憾,都被作者精准地捕捉并呈现出来。这是一种非常成熟的写作技巧,它不依赖于戏剧性的情节,而是深深地植根于人物的内心。

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