Irish theatre is a global phenomenon and has always been so: it has never been confined to the island of Ireland. In the 18th century. actors moved freely between England and Ireland, while in the 19th century, playwrights such as Dion Boucicault carried an image of Ireland to audiences in New York, Sydney and Toronto. The reputation of the early Abbey was due to part to tours of England and the United States, while the Gate and, more recently, companies such as Field Day and Druid have continued to carry Irish theatre around the world. Within Ireland also, theatre has not been solely centred on Dublin, as is sometimes represented. This collection - the first in the Irish Theatrical Diaspora Series - brings together the work of leading scholars to explore the place of touring in Irish theatre both inside and outside the country. It opens new perspectives for anyone interested in the place of Irish theatre in the world today.
评分
评分
评分
评分
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有