From Publishers Weekly In this third story about the Howard family, readers will empathize with 11-year-old Nick as he adjusts to life in a small English village. Nick resents the move from his native Ohio, fearing that he won't make friends, do well in school or understand British terminology. Then older brother Marty proves unexpectedly sympathetic, Nick discovers he's good at rugby and two classmates become his good friends (one, a recent immigrant from India, shares Nick's culture shock). The story progresses smartly to its happy ending, providing along the way much local color, customs and attitudes of English countryside life. This will be enjoyed by fans of the author's When the Boys Ran the House and Pets, Vets, and Marty Howard. Ages 10-12. Copyright 1987 Reed Business Information, Inc. From School Library Journal Grade 4-7 Third in a series of Howard fami ly adventures, this book takes them to England for a two-year stay. Nick, now 11, doesn't want to leave his Ohio friends and school. He must make many adjust ments: different foods, a school in which he doesn't understand many of the words, rugby, new friends. To top it off, he has to survive such classes as drama, poetry, and French. In order to adjust, Nick shares his thoughts with Spike, a hedgehog he adopts as a pet. He and his two brothers each have one hidden in their closets, a secret they keep from their mother for three months. Gradual ly, Nick becomes a part of English life, learns to play rugby, speaks in British slang, makes several new friends, and, of course, decides he wants to stay in En gland. Carris continues her traditional light-hearted writing that includes believable dialogue and characterizations and a fast-moving plot. The only flaw is the obvious and inevitable transition that Nick makes. Sure to be popular where readers are seeking more adventures of the Howard family. Bonnie L. Raasch, C. B. Vernon Middle School, Marion, IowaCopyright 1988 Reed Business Information, Inc. See all Editorial Reviews"
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这本书的封面设计真是别出心裁,那种略带做旧的质感,配合着一抹深邃的靛蓝色背景,立刻就能将读者的思绪拉入一个充满谜团和古老气息的场景之中。故事的开篇,作者用一种近乎于散文诗的笔触,描绘了一个被遗忘的庄园,那里的每一块石头、每一片苔藓似乎都在低语着被尘封的秘密。我尤其喜欢作者对环境细节的捕捉,比如清晨薄雾中,那些古老橡树投下的斑驳光影,那种寂静中蕴含的巨大张力,让人不禁屏住呼吸,生怕惊扰了沉睡的往事。叙事节奏的处理非常巧妙,它不像某些小说那样急于抛出核心冲突,而是像剥洋葱一样,一层层地揭示人物复杂的内心世界。主角的动机和挣扎,那种在理智与情感之间摇摆不定的状态,被刻画得入木三分,读到中期时,我甚至感觉自己就是那个被困在时间迷宫中的人,渴望真相,又害怕真相带来的代价。全书的语言风格,时而磅礴大气,时而细腻入微,展现出作者深厚的文学功底,绝对是值得细细品味的佳作。
评分这本书的节奏控制,简直是教科书级别的范例。前半部分如同慢板的交响乐,铺陈了大量的环境描写和人物内心活动,营造出一种压抑而缓慢的氛围,让读者在不知不觉中被拖入故事的沼泽。但从故事中段开始,音乐的调性陡然加快,各种线索如同被触发的连锁反应般接连爆发,转折点处理得极其干净利落,毫无拖泥带水之感。我尤其赞赏作者对“高潮”的处理,它并非一味追求感官刺激,而是将情感的爆发点与真相的揭露完美地融合在一起。那种读到最后一刻,既感到一切尘埃落定,又对人物的未来感到茫然若失的复杂情绪,真是久久不能平复。此外,作者对于场景切换的把握也十分精准,总能在紧张的追逐戏中,插入一段宁静的内心独白作为调剂,有效地避免了阅读疲劳,保证了读者的持续关注度。这本书的阅读体验,就像坐过山车一样,忽而急速攀升,忽而平稳滑行,但每一次起伏都恰到好处。
评分我对人物塑造的评价是极高的,尤其是配角群体。很多小说中,配角往往沦为推动情节的工具人,但在这里,每一个出现过的重要角色,无论戏份多寡,都拥有自己完整而自洽的动机和道德困境。比如那个神秘的图书馆管理员,他看似冷漠疏离,却在关键时刻展现出令人心碎的脆弱。作者没有简单地将角色分为好人或坏人,而是将他们放置在一个灰色地带,让他们在巨大的压力下做出艰难的选择。这种复杂性,使得整个故事充满了人性的张力,让人既能理解他们的行为,又会为他们的命运感到叹息。我最欣赏的是,作者没有用冗长的独白来解释角色的过去,而是通过细微的动作、不经意的对白,甚至是他们对特定物品的珍视程度,来侧面烘托出他们的过往创伤和性格底色。这种“展示而非告知”的叙事手法,是成熟作家的标志,也极大地提升了阅读的沉浸感和回味价值。
评分从文学角度来看,这本书的语言运用达到了相当高的水准,它超越了仅仅是“讲故事”的层面,更像是在进行一场文字的雕塑。作者的用词非常考究,经常能找到那种精准到位、令人眼前一亮的词汇组合,使得原本平淡的描述瞬间变得生动立体起来。我发现自己好几次因为一句绝妙的比喻而停下来,回味那种措辞的美感。它不像一些流行小说那样追求快餐式的阅读,而是鼓励读者慢下来,去欣赏语言本身的力量。比如,书中对“遗忘”的描述,不是简单的“记不起来了”,而是用了一种极其诗意的方式,将其描绘成是“时间在记忆的墙壁上凿出的小洞,风从中穿过,带走了色彩和重量”。这种文采,使得即便是最黑暗、最残酷的情节,也蒙上了一层悲剧性的唯美光晕。总而言之,这本书不仅满足了我对情节的渴求,更在文学审美上给予了我极大的满足感,绝对是值得反复品读的精品之作。
评分说实话,我一开始拿到这本书的时候,并没有抱太大的期待,毕竟市面上同类型的悬疑小说太多了,大都逃不出俗套的“谁是凶手”的框架。然而,这本书真正吸引我的地方,在于它对“记忆”这一主题的探讨深度。它不仅仅是关于一个谜团的解开,更像是一次对人类认知局限性的哲学思辨。作者构建了一个极其精密的叙事结构,多个时间线交织并行,初读时可能会感到有些费力,需要集中精神去梳理人物关系和事件的因果链条。但正是这种挑战性,使得最终豁然开朗的那一刻,带来的震撼感远超预期。书中那些关于时间错位和个人叙事可靠性的论述,给我留下了深刻的印象。我忍不住停下来反复思考,我们所相信的“事实”,有多少成分是构建出来的幻象?这种智力上的高强度互动,使得阅读体验远超单纯的娱乐消遣,更像是一场深入灵魂的对话。这本书绝对不适合那些只想快速翻页寻求刺激的读者,它需要你投入时间,去咀嚼那些潜藏在文字背后的深意。
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