An Orphan in History is my story as an American Jew. I
have spent years retrieving the religious and cultural
legacy which had evaporated, in my family, under the
pressure of assimilation. But. with only slight variations
in personal and cultural details, it could be the story of
Frankie Ruggio, whose grandfather spoke Italian and was
named Dante: or of a midwestern computer technician
named Peter Holmes. whose Scandinavian-born grandfa-
ther was a fisherman named Per Hansa: or of Joe Martin.
whose father. Jose Martinez was a highly skilled cigar
maker from Havana. In a way, it is the story of millions of
immigrant families who left the economically and culturally
confining Old World towns where they were raised, and
paid for the freedom and prosperity this country offered
with their pasts.
At first, it must have seemed like a marvelous bargain.
For most of the twentieth century, melting-pot America
was like the pot of gold at the end of history s rainbow. In
this land of limitless possibilities, one s past seemed to be
an encumbrance: something that was filled with atavistic
superstitions, that was anathema to enlightened people,
that presented an obstacle to personal progress.
But now, America s power is waning; we are living in a
post-Copernican age, where we are no longer the center of
the world. The country no longer seems to promise my
generation----or my children s--the degree of social or
physical mobility it promised my parents and grandparents.
As a result, many people who might have once ex-
plored the nation s physical or economic frontiers are
journeying inward: they are Kit Carsons of the soul. Some
adopt creeds that are new to them Eastern religious, or
an all-embracing burn-again Christianity. But many, like
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