This article examines the life and work of Henri-Frederic Amiel,

19th-century Swiss diarist. It argues that his.journal provides an

exemplary text through which to examine the issues of

pathographesis, or the writing out of illness. Situating the diary

within the Romantic contexts of melancholy and self-exploration,

it shows that Amiel took themes and genre further than ever

before, producing a piece of writing that both defines and creates

his ills. Amiel s relationship with his diary is tense and tragic: it

is therapy but also poison and comes to embody personal and

professional sterility. Thus ideas of pathographesis have to be

extended to cover the semitextual limbo in which Amiel subsisted,

where "writing out" illness was more fraught than merely "writing

about" it.

George Rousseau is Research Professor of the Humanities at De Montfort

University and holder of a Leverhulme Trust Award for 1999-2001. He is a

winner of the James Clifford Prize, awarded by the American Society for

Eighteenth-Century Studies for the best article of the year.

Caroline Warman was Leverhulme Research Fellow at De Montfort University

(1999-2001). Her most recent book is Sade: From Materialism to Pornography.

The authors would like to acknowledge the generosity of the Leverhulme

Trust, during the course of whose grant this work was undertaken. We would

also like to thank the anonymous SGS reader who suggested that we address

the issue of the imagery in Amiel s fantasies and who also offered the phrase

-* "infernal negation."