On Photography

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How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.

Susan Sontag’s groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

出版者:Penguin Classics
作者:[美] 苏珊·桑塔格
出品人:
页数:224
译者:
出版时间:2008
价格:GBP 9.99
装帧:Paperback
isbn号码:9780141035789
丛书系列:
图书标签:
  • 摄影 
  • SusanSontag 
  • photography 
  • 艺术 
  • Photography 
  • 苏珊桑塔格 
  • 美国 
  • 理论 
  •  
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How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

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有多少峰涌而至的人挤上香山,几乎就有多少台照相机被带上香山。这是一个大众摄影艺术蓬勃发展的时代。摄影早就从上个世纪贵族记录家族人员的少数人才能享受的高等待遇而变成了时下平民大众亦可娱乐的大工业时代产物。影像泛滥成灾,像色情照片,广告美女宣传画,像脱衣...  

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Photography as a medium possesses the unique potential to reach and fascinate a single individual as well as a massive crowd, all the while inspiring those behind the camera lens to look at the world, to record every detail, and to capture endless splendor....  

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有多少峰涌而至的人挤上香山,几乎就有多少台照相机被带上香山。这是一个大众摄影艺术蓬勃发展的时代。摄影早就从上个世纪贵族记录家族人员的少数人才能享受的高等待遇而变成了时下平民大众亦可娱乐的大工业时代产物。影像泛滥成灾,像色情照片,广告美女宣传画,像脱衣...  

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苏珊•桑塔格在In Plato’s Cave里面写道:The photograph is also a tool of power because you own it when you shoot it. 这让我开始思考照片和爱欲的关系。很显然,他们最初的共同之处在于同样用了shoot这个动词,他们都意味着占有。而通过图像,就是一种意淫的占有,它...  

用户评价

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巴特那本是优美的个人体验谈,似乎也是继承法国essay写作的传统,苏珊桑塔格这本更丰富,除了敏锐精确的现象定位,捕捉与描摹,还进行视域更广的大众文化分析。最有趣的是,巴特好恶鲜明而又不加掩饰地掷出自己的观点,而苏珊桑塔格通篇采取了正说说反说说的写法。

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我觉得我不会英文

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Photography is the opposite of understanding, which starts from not accepting the world as it looks.

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读了几遍中文版 想读英文版

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桑塔格之后把自己这本书里的观点基本全部推翻了 更有趣

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