The Easter Parade

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Richard Yates (February 3, 1926 – November 7, 1992) was an American novelist and short story writer. He was a chronicler of mid-20th century mainstream American life, often cited as artistically residing somewhere between J.D. Salinger and John Cheever. He is regarded as the foremost novelist of the post-WWII Age of Anxiety.

出版者:Vintage Classics
作者:Richard Yates
出品人:
页数:240
译者:
出版时间:2008
价格:GBP 9.99
装帧:Paperback
isbn号码:9780099518563
丛书系列:Vintage Yates
图书标签:
  • 小说 
  • 英文原版 
  • RichardYates 
  • 理查德·耶茨 
  • 美国文学 
  • 美国 
  • 文学 
  • 英文 
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The famous opening line of the novel warns of the bleak narrative to follow, "Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents’ divorce." Emily and Sarah Grimes are sisters who share little in terms of character but much in terms of disappointment with their lives. Emily, the more intellectual and cosmopolitan of the two, seeks love in numerous disappointing affairs and short-term relationships while Sarah, the prettier and more conventional sister, marries young and bears children to an uncouth and abusive husband. Their troubled, rootless mother, Pookie, like many Yatesian matriarchs, is likely modeled on his own mother, who was nicknamed "Dookie". The novel, beginning in the 1930s when the sisters are children and ending in the 1970s with Sarah's death, primarily revolves around Emily as the book's central character, though the book employs Yates' characteristic and seamless shifts of consciousness throughout.

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美国作家理查德·耶茨(Richard Yates,1926—1992)曾被英国《泰晤士报》称为“被遗忘的最优秀的美国作家”。耶茨是真优秀,也真的被遗忘过。他被认为是“焦虑时代的伟大作家”,有人把他和写“爵士时代”(美国20世纪20年代)的菲茨杰拉德相比,他的影响遍及雷蒙德·卡佛、安...  

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“如果说我的作品有一个主题,我怀疑这个主题并不复杂,那就是绝大多数人都生活在一种无法逃避的孤独中,他们的悲剧也在此。” ————理查德·耶茨 “福楼拜以来,少有人对那些生活得苦不...  

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美国作家理查德·耶茨(Richard Yates,1926—1992)曾被英国《泰晤士报》称为“被遗忘的最优秀的美国作家”。耶茨是真优秀,也真的被遗忘过。他被认为是“焦虑时代的伟大作家”,有人把他和写“爵士时代”(美国20世纪20年代)的菲茨杰拉德相比,他的影响遍及雷蒙德·卡佛、安...  

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理查德·耶茨的姓乍一听像是“Yes”,然而看了他的书,你会发现,他一直在说“No”,对现实进行戏仿、对生活进行善意的嘲讽,像《革命之路》中,明明是怀揣梦想,却一次次被扼杀于现实的冷酷,直至像被猎杀的小鹿再无动弹之力。这种对人生曾雄心勃勃、豪情万丈直至灯尽油枯、一...  

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后面一直在担心Emily会不会像松子一样惨淡的死去,如果结局真是这样,对我来说是guilty pleasure。 当Sarah模仿Tony说Shape up来训诫孩子却又胆怯的下意识的看他一眼,maybe domestic violence is happening in that house. 当Emily失业,作为白人,大学毕业生她找不到工作,原因是"I am a woman, and I am no longer young. " 当Emily质问Peter时,他说Tony已经尽力做他所有能做的。那为什么Sarah会遭受家庭暴力20多年。愤怒是压抑着的,因为我悲哀的意识到这一切都不是猛烈的。

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就算认定了孤独和徒劳 还是会惶恐而感伤 | 太用力和不够用力之间的关系还真是微妙

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在不断累积的期望中一口气读完全书,却发现等待着她们的未来并不会更好,只会越来越糟。偶尔看到自己的影子。

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在去德里的飞机上一口气读完。The best novel I've read in a long long time. 惊心。两姐妹孤独自私懦弱不知道自己要什么。像你我一样。

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