Amazon.com It's 1968 and 14-year-old Joan is trying to figure out what to do with her life while struggling against the mistakes and irresponsible behavior of her parents. Though she and her brother Hugh live in western Massachusetts with their eccentric father, every July 4 they visit their mother, who has run away to be a hippie in New York. Although Joan's mother has the clothes, the talk, and the hippie attitude down pat, her life revolves around the family of her older sister, Iris, who seem to be modern-day versions of Edith Wharton's New Yorkers. Joan becomes fascinated by the wealth and the happiness of this "other family" in comparison to her own, but soon learns that appearances aren't always what they seem. From Publishers Weekly In this smartly told, funny and deeply poignant first novel, the author of the praised short story collection Good Gossip offers both a fractured but believable coming-of-age tale of a young narrator, Joan, and a perspicacious exploration of divorce circa the late 1960s. As the novel opens, 14-year-old Joan and her younger brother, Hugh, are reunited in Manhattan with their mother after a two-year hiatus, during which she abandoned them and divorced their nutty, dope-smoking musician father. The siblings learn that they will be spending their summer vacation with their mother's sister Iris's family, the Eberlanders, which includes husband Charles, an overbearing psychiatrist, and two seemingly perfect teenaged daughters, Polly and Budge. During the course of their annual summer visits, Joan and Hugh are introduced to the magnetic Eberlanders's posh life in Brooklyn Heights. Joan develops a crush on her aunt Iris, who is beautiful, accident-prone and running for local political office; dislikes Uncle Charles, whom she suspects of having an affair with Iris's best friend, perky Vi; is disgusted with the "new version" of her well meaning but oblivious mother, a nascent hippie involved with a slimy dud of a boyfriend; and discovers that Polly and Budge are as rebellious as she is. When the Eberlanders' marriage dissolves and Charles and Vi marry, Iris at first seems to handle it with grace. But when she later suffers a mental breakdown, Joan understands the reasons?Iris's fear that she is no longer "the heroine of her own life," but merely someone "who got to talk to the main characters sometimes"?and that this epiphany applies equally to herself. Carey's wry, taut prose is seamless, her characterization is empathetic and sharp, and her evocation of the new personal freedoms wrought by the '60s?and their resulting broken bonds?is subtle and memorable. Copyright 1996 Reed Business Information, Inc. See all Editorial Reviews
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这本书简直是一场情感的过山车,但不是那种廉价的刺激,而是深刻到骨髓里的共鸣。我几乎是被这本书拖着走的,生怕错过任何一个细微的表情变化或者一句潜台词。它讲述的似乎是一个关于“选择”的故事,关于我们为了生存、为了爱、为了被接受,究竟可以牺牲多少真实的自我。作者的笔力极其老辣,尤其擅长运用场景的对比来烘托人物的内心世界。比如,当故事发生在一个喧闹的节日聚会上时,镜头却聚焦于角落里一个角色紧握的拳头,那种强烈的反差,瞬间就让人心头一紧。书中的对话设计尤其精彩,很多关键信息的传递都是通过那些没有说出口的话语、那些犹豫停顿和眼神交流来完成的,这使得阅读过程充满了探索的乐趣。我感觉作者对人类的疏离感有着深刻的洞察力,即使是最亲近的人之间,也可能存在着无法逾越的鸿沟。书中关于“记忆的不可靠性”这一主题的探讨也让我茅塞顿开,我们对过去的重构,是如何影响我们当下的判断和行动的。这本书绝不是用来消磨时间的读物,它更像一面镜子,让你不得不直视自己内心深处那些不愿面对的阴影。
评分自从读完这本书后,我总是不自觉地陷入沉思,它像一首低沉的大提琴曲,在你心底持续回响。这本书的叙事节奏非常缓慢而沉稳,就像是夏日午后的一场漫长而细腻的雨,每一滴雨点都清晰可辨,带着泥土和青草的气息。作者似乎对“时间”这个维度有着不同寻常的理解,他让过去、现在和未来在角色的意识中不断交错,展现了经历如何塑造一个人的灵魂。我尤其被书中对“沉默的力量”的描绘所折服。很多时候,最剧烈的冲突和最深沉的爱意,都是在绝对的静默中完成的,那些未尽之言比任何激烈的争吵都更有力量。这本书中的人物都不是英雄或恶棍,他们是极其真实的个体,带着各自的缺陷和微小的胜利努力生活着。书中有一个关于重建信任的副线情节,处理得极为审慎和克制,没有戏剧化的瞬间爆发,只有日复一日、小心翼翼的修补工作,这种对现实主义的坚持,让整个故事显得厚重而有分量。读这本书,你会体会到一种久违的、扎实的文学体验,它要求你放慢脚步,去感受文字背后的肌理和情感的厚度。
评分我刚刚合上这本书,心里五味杂陈,这种感觉真是太奇妙了。我要说的这本书,它巧妙地避开了所有老套的家庭剧叙事模式,转而探索那些更隐秘、更深层次的情感结构。它的语言风格是那种冷峻而又富有诗意的结合体,每一句话都经过了精心的锤炼,读起来有一种独特的韵律感。故事的核心似乎围绕着一个看似完美的家庭,但随着情节的推进,那些隐藏在光滑表面下的裂痕便一点点显现出来,每一次揭露都伴随着一种令人不安的真实感。我最欣赏的是作者在处理人物动机时的那种毫不留情的坦诚。每个人都有自己的秘密,都有不愿示人的软弱,而作者毫不畏惧地将它们暴露在光线下,让我们看到人性的复杂和矛盾。比如,书中关于一个成年子女如何面对年迈父母的期望与自己人生选择之间的矛盾的描写,简直是教科书级别的。它没有提供廉价的安慰,而是呈现了一个充满灰色地带的现实,让人不得不面对生活中的不完美。这本书的结构也很有意思,它不是线性的,而是像一个不断旋转的万花筒,每一次转动都呈现出不同的色彩和图案,但最终所有的碎片又完美地契合在一起,形成一个完整而令人震撼的整体。我强烈推荐给那些喜欢深度心理描写和挑战传统叙事手法的读者。
评分天呐,我最近读完了一本让我沉思良久的书,虽然我不能具体提到它的名字,但它绝对是一部关于家庭纽带和个人成长的杰作。这本书以极其细腻的笔触描绘了几个截然不同的人物,他们都在各自的生命旅程中挣扎、探索,试图理解“家”这个概念对他们的真正意义。作者的叙事视角非常独特,常常在不同时间线和人物内心独白之间无缝切换,让人感觉仿佛自己也变成了故事中的一员,亲身体验着那些复杂的情感纠葛。特别让我印象深刻的是其中对代际冲突的处理,没有简单的黑白对错,只有深深的理解与误解交织的现实。书中有一个角色,他为了追求自己的梦想而与传统家庭观念抗衡,他的挣扎和最终的和解过程,真实得让人心痛又感动。我尤其欣赏作者对环境细节的捕捉,无论是老旧公寓里弥漫的霉味,还是阳光穿过百叶窗投下的斑驳光影,都为整个故事增添了一种强烈的画面感和氛围感。这本书的节奏把握得非常巧妙,有些章节读起来像平静的湖面,让你有机会沉浸其中;而另一些地方则像突如其来的暴风雨,情节骤然紧张,让你屏住呼吸。读完之后,我花了很长时间才从那种情绪中抽离出来,它迫使我去审视自己与身边人的关系,思考什么是真正的归属感。这是一本需要细细品味的文学作品,它不是那种一目了然的畅销小说,而是更像一幅需要你走近才能看清纹理的油画。
评分这本书完全颠覆了我对现代家庭故事的预期。它没有煽情,没有刻意的反转,但其带来的情感冲击力却足以让人心碎。作者的语言风格是极其干净利落的,像北欧的冬天,简洁却充满张力。故事的焦点放在了“身份认同”这一宏大主题上,通过几个处于十字路口的个体,探讨了当外部的结构(如家庭、社会期望)与内在的渴望发生冲突时,个体将如何重塑自我。这本书的高明之处在于,它对“爱”的定义进行了极其深入的解构,展示了爱是如何以各种扭曲、甚至带有控制欲的形式存在于人际关系之中。我特别关注书中对特定场景的运用,比如一个荒芜的海边小镇,或者一个拥挤的城市公寓,这些环境元素不仅仅是背景,它们本身就是角色的延伸,反映了人物内心的空虚或压抑。与一些专注于情节推动的书籍不同,这本书更像是对人物心灵的深度扫描,它让你看见那些藏在日常琐事背后的巨大情感暗流。读完之后,我久久不能忘怀的是那种关于“不完美才是常态”的豁达感,它教会我接受生活中那些无法解决的悖论。
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