From Publishers Weekly Short and sweet and to the point, the seven stories in this promising debut collection exuberantly explore the relationships that make life bearable. In a rueful examination of brother/sister love, "The Language Event," set at the Indy 500, manages to be rowdy and exquisitely wistful at the same time. Moore strikes another significant chord in "Big Pink and Little Minkie," conjuring magic by exploring the tenuous but often poignant truths to be gleaned from the mundane commuter experience. She hits the ball out of the park with the near novella-length "A History of Pandas," a flawless exercise in characterization. This sharp portrayal of sisterhood sings, as the narrator, called Sweet Pea, examines the root of her boundless adoration of her sibling Lydia, a preschool teacher whose early widowhood has forged a bond between the two that time can not diminish. In "Rembrandt's Bones," a professor of art history deals with two simultaneous deaths a student's suicide and the natural death of sugar-loving Opal, a childhood mentor who taught her to love words and always to appreciate the unexpected. Revealing a spiritual kinship with Lewis Nordan, Moore writes matter-of-fact yet outlandish sentences that read like tiny novels "Opal's Cousin Alma was married to my second cousin J.W. and when J.W. died, Alma showed up at the funeral with a lady-pink pistol and shot him five times in his open coffin before they could get the gun away from her. They couldn't figure out what to charge her with." Although all of the female narrators speak with nearly the same wry and self-aware voice, readers will enjoy this buoyant collection.Copyright 2002 Cahners Business Information, Inc. From Library Journal In her first collection, which includes stories that have been published in various magazines and literature reviews, Moore exhibits a writing style reminiscent of 1960s rebel fiction that is often simultaneously cynical and ingenuous. In "The Language Event," for instance, Mary Louise goes to Indianapolis to reunite with her brother Richard, who lives in a camper with his friend, Chit. Moore evokes the past in both language and situation when she observes of the camper, "[They] had gone in on it together. They pooled their money, their carburetor skills When it was all fixed up and running, they painted it pink." Her colorful descriptions also evoke vivid mental pictures, e.g., "Corrine, to this day, has always held England responsible for the instability in her life, the kind of instability brought on by peas on a plate in a boat on rough waters." Unfortunately, Moore's style can also make her pieces feel dated without purpose. There are hints of substance, but the prevailing desire to skim seems more to the point. For larger collections.Patricia Gulian, South Portland, MECopyright 2002 Reed Business Information, Inc. See all Editorial Reviews
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这本书的独特之处在于,它似乎对“时间”这个概念有着自己的理解和处理方式。有些故事仿佛被无限拉长,一个下午的对话可以占据好几页篇幅,但你却不觉得拖沓,反而觉得作者是在用慢镜头捕捉那些稍纵即逝的情绪波动。而另一些故事,则像是一瞬间的闪光,迅猛而有力,读完后留下的余韵久久不散。这种对时间流逝的弹性处理,让整本书的阅读体验充满了惊喜。我特别欣赏作者对留白的运用。很多关键的冲突或者情感的爆发点,作者都选择退后一步,让读者自己去填补那片空白。这需要读者有一定的阅读经验和主动性,但回报是巨大的——因为你参与了故事的创造过程。它不是给你喂食,而是给你提供最好的食材,让你自己去烹饪出最符合你个人体验的味道。我读到最后几篇时,已经形成了一种习惯:每读完一个篇章,我都会合上书,在脑海中回放刚刚读到的场景,试图去捕捉那些作者没有明确说出口的弦外之音。
评分这本书的整体氛围是沉郁而富有哲思的,它探讨了许多关于身份认同、记忆的不可靠性以及人与人之间关系的脆弱性。我不是一个轻易被一本书“击中”的读者,但其中一篇关于“遗忘”的章节,对我产生了非常深远的影响。作者没有使用任何宏大的词汇来讨论“遗忘”,而是通过一个角色整理旧物,发现被时间磨损的信件和照片的过程来展现。那种面对自己过去生活痕迹时的那种疏离感和陌生感,简直是教科书级别的描写。这本书的语言本身就是一种享受,它精致、克制,却蕴含着巨大的情感能量,像深埋地下的温泉,表面平静,但触碰之下却是滚烫的。它成功地做到了既关乎个体经验,又能引发普遍共鸣。这本书无疑需要你投入时间去品味,它不适合在通勤的地铁上匆匆浏览,它需要一个安静的下午,一杯热饮,以及一个愿意与作者一同深入探索人性迷宫的心灵。这是一次值得的、深度的文学旅程。
评分我通常对这种被誉为“文学性极强”的作品抱持审慎的态度,因为它们常常伴随着阅读的门槛。然而,这本作品在保持其文学深度的同时,却展现出惊人的可读性。它巧妙地避开了那种刻意的“高冷”,而是通过构建一系列极具画面感的场景来吸引人。我特别喜欢它对环境和感官体验的捕捉。比如,有一个故事发生在炎热的夏日午后,作者对那种空气中弥漫的热浪、知了不知疲倦的鸣叫,以及人们不自觉放慢的动作的描写,让我感觉自己仿佛也置身于那个汗流浃背的街道上。文字不仅仅是信息的载体,它们在这里成为了感官的延伸。而且,这本书的叙事视角非常灵活多变,有时是第一人称的私密独白,有时是冷峻的第三人称观察,这种切换让故事保持了新鲜感,也避免了单一视角的局限性。这种叙事上的自由度和实验性,处理不好很容易弄巧成拙,但在这里,它被驾驭得游刃有余,展现了作者高超的驾驭能力。这本书证明了深刻的主题完全可以用引人入胜的方式来呈现。
评分说实话,刚拿到这本厚厚的书时,我有点担心内容会不会过于晦涩或者故作高深。但翻开第一页,那种流畅的文笔立刻把我吸了进去。它不是那种卖弄辞藻的文字,而是一种带着泥土气息的朴实力量。作者对人物心理的刻画达到了近乎残酷的真实。例如,其中一篇关于家庭聚会的片段,表面上是一派和乐融融,但字里行间弥漫着难以言喻的张力和未曾言明的怨怼,那种“只可意会不可言传”的家庭暗流,被描绘得淋漓尽致,让我甚至联想到了我自己的某些家庭记忆。这种触及灵魂深处的洞察力,使得即便是那些看似普通的日常场景,也变得充满了戏剧张力。更值得称道的是,这本书的结构非常大胆,它不像传统小说那样有清晰的开端、发展和高潮,而更像是一系列精心布置的“瞬间定格”,每一个故事都是一个独立而完整的宇宙,但当你把它们并置在一起时,又会产生一种奇妙的化学反应,揭示出更宏大的人性图景。我感觉作者像是坐在一个高处,俯瞰着芸芸众生,然后用最精准的笔触记录下他们最脆弱、最真实的一面。
评分这本书的封皮设计简直是视觉的盛宴,那种复古的排版和略带做旧的纸张质感,让人一上手就忍不住想钻进它的世界里。我尤其欣赏作者在叙事节奏上的拿捏,虽然书名听起来可能偏向某种特定主题的汇编,但实际阅读体验却远超预期。故事间的过渡自然得像是老朋友间的悄声细语,没有生硬的章节划分,更像是一条流淌的河流,承载着形形色色的情感碎片。有一篇关于一位年轻艺术家搬到一座雾气弥漫的沿海小镇的叙述,描绘得细腻入微,从海风中咸湿的味道到小镇居民眼中那种特有的疏离感,都拿捏得恰到好处。作者似乎深谙“少即是多”的艺术,许多关键的情感转折点,都隐藏在看似不经意的对话和环境描写之中,需要读者自己去拼凑和体会。这不只是一堆故事的集合,它更像是一面精心打磨的棱镜,折射出生活本身那种复杂而又迷人的光怪陆离。我发现自己读完一个故事后,需要停下来,深吸一口气,才能完全从那个场景中抽离出来,这种沉浸感在当今快节奏的阅读环境中是极其难得的。我强烈推荐给那些喜欢在文字中寻找深层共鸣,而非追求快速情节推进的读者。
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