Lion March 1989<br >373-61340-7<br >hanks and acknowledgment to<br >~ib for his contribution to this work<br >at ~ 1989 by Worldwide Library.<br >le copyright 1989. Australian copyright 1989<br > reserved. Except for use in any review, the<br >:tion or utilization of this work in whole or in part<br >rm by any electronic, mechanical or other means,<br >wn or hereafter invented, including xerography,<br >~ying and recording, or in any information storage<br >al system, is forbidden without the permission<br >blisher, Worldwide Library, 225 Duncan Mill Road<br >s, Ontario, Canada M3B 3K9.<br >laracters in this book have no existence outside the<br >ion of the author and have no relation whatsoever to<br >earing the same name or names. They are not even<br >inspired by any individual known or unknown to the<br >nd all incidents are pure invention.<br >tdemarks registered in the United States Patent and<br >rk Office and in other countries.<br >l U.S.A<br > From the air at night, Cairo s City of the Dead ap-<br > pears to some travelers as an ominous black void in a<br > sprawling array of sparkling lights.<br > To others, it seems a gigantic oil spill that smothers<br > everything beneath its surface. It could also be mis-<br > taken for a bottomless pit or a stretch of treacherous<br > quicksand.<br > On Air Force One the Vice President of the United<br > States, Stephen Shaw, could not keep from staring at<br >~the massive blot.<br > He thought of the bodies there.<br > Although he was perfectly safe, and American and<br > Egyptian jet fighters flew ahead, behind and on either<br > side of his aircraft, he felt apprehensive.<br > Now, with the flying command ship dropping to-<br > ward the Egyptian military airfield, Shaw could see the<br > outlines of buildings and the network of the city s<br > dark, narrow, foreboding streets.<br > It was truly a city within a city, a vast neighbor-<br > hood for the dead.<br > In an area capable of housing thousands of Egyp-<br >tians without crowding, not a single light shone. It was<br >a city of ghosts and gargoyles. And he was being<br ><br >
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第一本让我彻夜难眠的书,简直是文字构建的迷宫。作者对细节的把握令人发指,每一个场景都仿佛被高清投影到了我的脑海里。故事的节奏像是一条蜿蜒的河流,时而平缓,时而激流险滩,让你根本无法预测下一秒会发生什么。我尤其欣赏它对复杂人性的刻画,那些角色不是简单的善恶二元对立,他们的动机和挣扎都充满了灰色地带,让人在阅读时不断反思自己的立场。读完后劲极大,我花了整整两天时间整理思绪,试图梳理清楚那些错综复杂的关系网。那种被故事完全吞噬的感觉,很久没有体验过了。那种沉浸式的阅读体验,已经超越了一般的文学作品范畴,更像是一场精心策划的心理实验。
评分这部作品的配乐感极强,如果能拍成电影,配乐一定是那种大气磅礴,充满史诗气息的交响乐。它探讨的主题深刻而宏大,涉及了权力、信仰和牺牲等几个永恒的母题。作者似乎对人类文明的兴衰有着深刻的洞察,笔下的世界观构建得极其完整和自洽,每一个社会法则、每一个历史遗迹,都有其内在的逻辑支撑。我特别喜欢它对“代价”的探讨,所有的辉煌背后,都必须有人付出不为人知的沉重代价,这种对真相的无情揭示,让故事的重量感瞬间提升了好几个等级。读完后,那种对存在意义的追问,久久无法散去,让人感觉精神上经历了一次洗礼。
评分我必须承认,这本书的结构处理得异常精妙,简直像是一件复杂的瑞士机械表。作者采用了多线叙事的手法,但每一条线索的推进都井然有序,互为表里,最终汇聚成一个宏大而震撼的整体。初看时,可能会觉得信息量过载,有点难以跟上那些跳跃的时间线和分散的人物视角,但我坚持了下来,并且发现,正是这种看似混乱的布局,最终才构筑出了作品的史诗感。特别是最后那数十页,所有铺垫如同多米诺骨牌般接连倒下,那种逻辑的严密性和情感的爆发力,让我拍案叫绝。这本书绝对不是那种可以轻松消遣的读物,它要求你全神贯注,甚至需要拿笔做笔记来理清脉络。
评分这是一部需要“慢读”的书,那种适合在冬日的午后,泡上一壶浓茶,安静地沉浸其中的类型。它最大的魅力在于其意境的营造,那种古典与现代交织,现实与虚幻并存的氛围,非常迷人。作者的笔触细腻入微,擅长描摹环境对人物心境的潜移默化。比如对光线、气味、微风的描写,都充满了诗意,让人感到一种既疏离又亲近的矛盾情感。虽然情节发展相对缓慢,但每翻过一章,都会感觉到自己对这个世界的理解又加深了一层,它更像是一部关于“状态”和“存在”的哲学散文,包裹在引人入胜的故事外衣之下。我个人强烈推荐给那些追求阅读深度和文学美感的读者。
评分这本书的语言风格极其冷峻而富有张力,充满了金属摩擦般的质感。它不追求华丽辞藻的堆砌,而是用最精准、最锋利的词语直击主题。阅读过程中,我能清晰地感受到那种压抑和窒息感,就好像被困在一个密不透风的房间里,只能通过作者的文字偶尔瞥见一丝光亮。这种叙事策略非常高明,它没有直接告诉你答案,而是让你自己去感受、去推断。很多情节的留白处理得恰到好处,既保持了悬念,又不会让人觉得故弄玄虚。坦白说,第一次读到某个关键转折时,我差点把书扔到一边,因为它带来的冲击力实在太强了,完全出乎我的预料之外,迫使我重新审视之前所有的判断。
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