Film Music pdf epub mobi txt 电子书 下载 2025
James Wierzbicki is a musicologist who teaches at the University of Michigan and serves as executive editor of the American Musicological Society's Music of the United States of America series of scholarly editions. His current research focuses on twentieth-century music in general and film music and electronic music in particular.
- 音乐
- 电影
- 電影
- 电影学
Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals--logically and thoroughly--with the complex 'machine' whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music's path.
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第一次看到直接把1958-2008所有电影音乐草草归进一章“Post-Classic Period”的，简直被作者的简单粗暴震惊了。而前三章则完全死板地按照年份在排片子，而且基本只有美国电影，作曲家的音乐风格哪里是可以按年份排的啊……这特么根本就只是个电影list……
评分电影音乐启蒙读物，期待中文版如期问世。
评分@2013-03-31 06:21:53
评分电影音乐启蒙读物，期待中文版如期问世。
评分第一次看到直接把1958-2008所有电影音乐草草归进一章“Post-Classic Period”的，简直被作者的简单粗暴震惊了。而前三章则完全死板地按照年份在排片子，而且基本只有美国电影，作曲家的音乐风格哪里是可以按年份排的啊……这特么根本就只是个电影list……
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