Michael Wood goes in search of four of the most famous myths in the world: Shangri-la, the Golden Fleece, the Queen of Sheba, and the Holy Grail. These four romantic journeys take him to some of the remotest and most exciting places on earth including Western Tibet, the mountains of Georgia and the Caucasus, the plains of Southern Iraq, to the coasts of Ethiopia Yemen and the Horn of Africa. Michael asks the question: why do such legends still captivate us today? Over the last twenty years, from "In Search of the Trojan War" to his epic journeys in the footsteps of "Alexander the Great" and the "Conquistadors", Michael Wood has taken the TV audience, and the reader, on romantic and compelling journeys into the past. In his new series and book "In Search of Myths and Heroes", he goes in search of four of the most famous myths in the world: Shangri-la, the Golden Fleece, the Queen of Sheba, and the Holy Grail. The journeys take him to some of the remotest and most exciting places on earth - to the fantastic landscapes of Western Tibet, to the mountains of Georgia and the Caucasus, to the plains of Southern Iraq, and to the coasts of Ethiopia Yemen and the Horn of Africa. The stories will also take in Greece and Turkey, India and Nepal, Egypt and Israel, and the world of Celtic Britain and the West of Ireland: What is the truth behind the medieval Indian legend of a lost civilisation behind the western Himalayas - a place where the ancient wisdom of humanity was preserved to save it from our future? The legend was immortalised in James Hilton's novel about Shangri-la, and by Hollywood in Frank Capra's movie Lost Horizon. But, why do such legends still captivate us today? And, was there a real Shangri-la? What lies behind the Bible story of the Queen of Sheba, King Solomon, and the Ark of the Covenant? The tale is found in both the Jewish Bible and the Muslim Koran, and the Queen of Sheba is still revered today in the sacred books of the Ethiopians, who claim her as the founder of their nation: but who was she? And, why was the trade route from the Holy Land and Egypt to the Horn of Africa so important to the ancients? Where does the ancient Greek legend of Jason's search for the Golden Fleece come from? The tale is the ultimate quest, older even than Homer's "Iliad and Odyssey". But, was there really an expedition beyond the limits of the known world back in the mists of prehistory, before the Trojan War? And, why is the hero's quest one of the core human stories, from the first literature on earth, to the latest Hollywood epic? What was the Holy Grail? How did the search for this ultimate religious symbol come to be connected with Arthur, the once and future king? Was there a real Grail? A real King Arthur? And, why does the quest for the Grail, still obsess us even today, from New Agers and mystics to Monty Python and Indiana Jones? Illustrated with a wonderful series of specially commissioned photographs by the Himalayan author, photographer and mountaineer Steve Razzetti, "Great Mysteries" is at once a book of great journeys, a historical adventure, and an exploration of some of humanity's most enduring myths. Chapter breakdown includes: Introduction; Chapter 1 - A journey from India through Nepal to Tibet in search of the legend of Shangri-la; Chapter 2 - A journey from Greece through the Black Sea to the Caucasus in search of the legend of the Golden Fleece; Chapter 3 - A journey from Jerusalem down the Red Sea to Ethiopia and the Yemen in search of the legend of the Queen of Sheba; Chapter 4 - A journey through the British Isles and Ireland in search of the legend of king Arthur; and Epilogue.
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读完这本书,我感觉自己仿佛刚刚结束了一场长途跋涉,虽然身体略感疲惫,但精神上却充满了焕然一新的力量。作者的语言风格介于哲学家与散文家之间,既有严谨的思辨,又不乏文学性的感染力。它最成功的地方在于,它将那些宏大到令人望而生畏的“人类共同命题”,通过一个个具体、鲜活的人物或故事碎片展示出来,极大地拉近了理论与生活的距离。我发现自己开始用一种全新的方式去解读身边发生的一切——无论是新闻报道中的冲突,还是家庭中的微妙互动,都似乎能从中找到某种古老原型投下的影子。书中对“失败”和“遗忘”在神话构建中的角色的论述,尤其发人深省,它挑战了我们对“胜利”和“永恒”的单一崇拜。这本书的节奏把握得非常好,时而舒缓深入,时而节奏加快,始终保持着一种张弛有度的叙事张力,让人欲罢不能。对于那些寻求深度阅读体验、愿意投入时间去理解人类文明深层运作规律的读者来说,这本书无疑是一份珍贵的礼物,它教会我们如何带着敬畏之心,去面对那些塑造了我们的无形力量。
评分这本书简直是一场思维的探险,读完之后,我感觉自己的世界观被彻底颠覆了。作者以一种近乎诗意的笔触,带领我们穿梭于人类文明的深处,去探寻那些看似遥远却又无处不在的古老叙事。它不是一本枯燥的学术著作,而更像是一位智者在炉火旁娓娓道来的故事集,每一个章节都充满了令人惊叹的洞察力。尤其是在探讨不同文化中“英雄”形象的演变时,那种细腻的对比和深刻的剖析,让我忍不住停下来反复咀嚼那些精妙的论断。我尤其欣赏作者处理复杂概念时的那种优雅和克制,既没有过度简化,也没有陷入晦涩难懂的泥潭。书中的案例选取极其广泛,从东方哲学的隐秘角落到西方神话的宏大叙事,信手拈来皆是经典,但作者总能从中提炼出全新的意义。读这本书,就像是重新学习如何去‘看’这个世界,那些曾经被我们视为理所当然的社会结构和道德准则,在作者的文本中被剥去了陈旧的外衣,露出了其下依然鲜活跳动的原始冲动。这本书的价值,不仅仅在于知识的积累,更在于它提供了一种批判性审视自身文化根源的全新视角,对于任何渴望超越表象、探究人性本质的读者来说,都是一次不容错过的精神洗礼。
评分这本书的阅读体验,与我过去阅读任何相关主题的书籍都截然不同,它散发着一种历经沉淀后的醇厚与智慧。作者在语言运用上的功力达到了炉火纯青的地步,那些复杂的哲学概念被他描绘得如同夏日午后的阳光,清晰、温暖,却又带着不容忽视的穿透力。我尤其喜欢作者在描述那些跨越千年依然流传的神话主题时,所流露出的那种深沉的同情与敬畏。这不是一种高高在上的学术俯视,而是一种平视,一种对人类共同命运的深刻体恤。书中对某些经典神话的重新诠释,堪称神来之笔,它揭示了文本背后隐藏的社会张力与心理需求。举个例子,关于“牺牲”主题的论述,作者巧妙地将其与现代社会中的“角色扮演”和“自我消融”现象联系起来,这种跨越时空的对话感,让整本书的讨论瞬间变得极具现实意义。这本书的排版和插图(如果包含的话,这里假设作者在行文中描述了视觉元素)也处理得极为得体,每一处留白、每一个图示的选择,都精准地服务于文本的意境,使得阅读过程成为一种多重感官的享受。它让我重新燃起了对深度阅读的热情,迫不及待地想要将书中的思考付诸实践。
评分我必须承认,最初拿起这本书时,我带着一种略微的怀疑态度,毕竟“神话与英雄”这个主题已经被无数人反复书写。然而,这本书的开篇就以一种近乎挑衅的姿态,迅速抓住了我的注意力。作者的文风极其大胆且充满个人色彩,行文如疾风骤雨,逻辑链条清晰得让人叹为观止。它不像传统历史解读那样循规蹈矩,反而更像是一场精妙的考古挖掘,每一次落锤都精准地击中要害。对于那些热衷于解构主义叙事的人来说,这本书无疑是一份饕餮盛宴。它没有试图提供一套标准答案,而是不断抛出更深刻、更令人不安的问题。例如,书中关于集体无意识中“阴影”角色的探讨,那段论述的力度之强,让我不得不审视自己日常行为模式中那些不愿承认的驱动力。这本书的结构安排也十分巧妙,它像一个螺旋上升的迷宫,每深入一层,视野都会变得更加开阔,同时对既有认知的挑战也随之增大。我发现自己时常在阅读过程中停下来,不是因为不理解,而是因为被作者的某个大胆推论所震撼,需要时间来消化这种智力上的冲击。这本书绝对不是用来“消磨时间”的读物,它要求读者投入全部心神,并准备好迎接一场彻底的认知重塑。
评分这是一部极具野心和广度的作品,它成功地构建了一个宏大的知识框架,但令人称奇的是,它始终没有失去对个体经验的关注。作者的叙事风格就像一位经验丰富的向导,他知道何时应该快速引导读者穿越迷雾,也知道在关键的交叉路口停下来,仔细辨认那些关键的路标。书中对“英雄之旅”范式的批判性继承,是全书的亮点之一。作者并没有简单地接受约瑟夫·坎贝尔的框架,而是深入挖掘了文化语境对这一“模板”的重塑作用。这种对既有理论的尊重与超越,体现了作者极高的学术素养和独立思考能力。我特别欣赏作者处理文化差异时的细致入微,他从不使用一刀切的论断,而是通过大量微观的、往往是鲜为人知的文化碎片来进行佐证,这使得结论的建立过程显得无比坚实和可信。阅读过程中,我不断地在寻找作者的论证漏洞,但每一次都发现自己被他更深层的逻辑所折服。这本书不仅是知识的宝库,更是一场关于如何构建意义和价值体系的深刻对话,它迫使读者去正视自己赖以生存的文化基础的脆弱性与韧性。
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