"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways.
The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie.
Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children) --Susan Harrison --This text refers to an out of print or unavailable edition of this title.
"This is not a fairy tale. This is about real witches." So begins one of Roald Dahl's best books ever, and, ironically, it is such a great story because the premise is perfectly plausible from the outset. When the narrator's parents die in a car crash on page two (contrast this terribly real demise with that of James's parents who are devoured by an escaped rhinoceros in James and the Giant Peach), he is taken in by his cigar-smoking Norwegian grandmother, who has learned a storyteller's respect for witches and is wise to their ways.
The bond between the boy and his grandmother becomes the centrepiece of the tale--a partnership of love and understanding that survives even the boy's unfortunate transformation into a mouse. And once the two have teamed up to outwitch the witches, the boy's declaration that he's glad he's a mouse because he will now live only as long as his grandmother is far more poignant than eerie.
Of course, there's adventure here along with Dahl's trademark cleverness and sense of the grotesque. Dahl also communicates some essential truths to children: if they smoke cigars, they'll never catch cold, and, most importantly, they should never bathe, because a clean child is far, far easier for a witch to smell than a dirty one. (Ages 7 to 10, or read aloud to younger children) --This text refers to an out of print or unavailable edition of this title.
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这本书的文字功底,啧啧,简直可以用“华丽”来形容,但又绝不流于空洞的辞藻堆砌。它读起来就像是品尝一坛陈年的老酒,初入口时带着一丝辛辣和不解,但随着深入,那醇厚的层次感便一点点地散发出来,让人沉醉其中,流连忘返。我是一个对叙事腔调很挑剔的人,但这本书的叙事者——哦,那个声音——简直是完美契合了故事的基调。它时而带着一种疏离的、近乎嘲讽的旁观者视角,时而又突然变得无比亲密,仿佛在耳边低语着最隐秘的秘密。我发现自己不自觉地模仿书中的某些句子结构来思考问题,这大概就是好文字的魔力吧。更让我拍案叫绝的是作者对情感张力的拿捏,那种“山雨欲来风满楼”的氛围营造,简直是教科书级别的示范。你明明知道接下来会发生冲突,但作者就是能让你沉浸在那种预期和焦虑之中,直到最后一刻才让你释放。读完之后,我甚至翻回去重读了几段描写风景的文字,仅仅是为了再次感受那种被文字包裹的美感。
评分坦白说,这本书的结构设计是极其大胆和前卫的,甚至可以说,它挑战了传统小说的线性叙事习惯。起初阅读时,我花了很大的力气去适应它那种跳跃式的、非线性的时间推进方式。不同的章节之间,时间线索似乎是打乱重组的,像是一块块被打散的精美马赛克,需要读者自己去寻找连接点,拼凑出完整的画面。这种阅读体验,与其说是被动接受故事,不如说是一种主动的探索和解谜。有那么几段,我甚至需要在笔记本上画时间轴来理清人物关系和事件的先后顺序,但正是这种“麻烦”,反而极大地增强了我的代入感和智力参与度。当所有碎片最终契合,形成一个宏大而令人信服的整体时,那种成就感是无与伦比的。这本书绝对不适合心浮气躁的读者,它要求你慢下来,去尊重作者构建的这个复杂迷宫,并享受迷失其中的乐趣。它更像是一部需要“解码”的艺术品,而非仅仅用来消磨时间的娱乐读物。
评分如果用一个词来形容阅读这本书的感受,那大概是“沉浸式体验”的极致。作者在营造氛围方面展现出了大师级的掌控力,尤其是对于“恐惧”的描绘,完全超越了传统的惊悚手法。它不是那种突然的“跳吓”,而是一种渗透到骨髓里的、持续存在的心理压迫感。你似乎能闻到空气中弥漫的霉味,能感受到皮肤上细微的颤栗,那种源自未知和无力感的寒意,久久不散。阅读过程中,我好几次都必须放下书,到窗边深呼吸几口,让现实世界的阳光把我从那个阴暗、紧绷的故事空间里拉出来。这种强烈的感官和情绪调动,是极少数小说能做到的。而且,这种“沉浸感”不仅仅停留在情绪层面,它还延伸到了对场景的感知上。那些被反复提及的标志性地点,仿佛都有了自己的生命和呼吸,成为了故事中不可或缺的“角色”。我甚至在想象,如果这本书被改编成电影,那场景设计和灯光运用将是多么的挑战性与迷人。总之,这是一次酣畅淋漓,却又令人身心俱疲的阅读冒险。
评分天哪,这本书简直是场智力上的过山车!我得说,作者在构建这个错综复杂的世界观上真是下足了功夫。故事的节奏把握得炉火纯青,时而如同平静的湖面,让你有时间细细品味人物的内心挣扎,时而又猛地掀起惊涛骇浪,让你几乎喘不过气来。我尤其欣赏作者对于细节的描摹,那些环境的渲染,那种光影的变化,仿佛能直接拽着读者的衣领,把他们扔进那个特定的场景里。角色塑造更是立体得让人心惊,没有绝对的“好人”或“坏蛋”,每个人都有自己的灰色地带,他们的动机、他们的恐惧,都被剖析得淋漓尽致。读到一半的时候,我简直忍不住要停下来,去查阅一些相关的历史背景资料,因为作者巧妙地将虚构的情节与某些真实的历史暗流交织在一起,那种真实感让人不寒而栗。这本书不仅仅是一个故事,它更像是一部精心编排的心理剧,探讨了权力、背叛以及人性的脆弱。看到结尾,我感到一种深深的震撼,不是那种简单的“哦,原来如此”的了悟,而是一种对生命本质的重新审视。那种回味无穷的感觉,真的很久没有在阅读中体验到了。
评分我得承认,这本书里探讨的主题极其深刻,涉及到哲学、社会批判乃至是对人类文明走向的忧思。作者似乎并不满足于讲一个精彩的故事,他更像是想通过这个载体,抛出一系列尖锐的问题,让你不得不去直面那些我们通常选择回避的道德困境。角色们所做的每一个重大决定,都不是非黑即白的,而是浸染着时代的局限性、环境的压力以及个体欲望的冲突。我尤其对其中关于“秩序与自由”的辩证讨论印象深刻,书中的反派并非脸谱化的恶魔,他们的逻辑链条是如此严密,以至于在某种程度上,你甚至能理解他们的行为,尽管你无法认同他们的手段。这种对“恶”的深刻剖析,远比单纯的道德谴责要震撼人心得多。读完后,我感觉我的世界观都被轻轻地撼动了一下,它迫使我重新审视自己对“正确”的定义,以及我们身处的社会结构是如何在潜移默化中塑造了我们的行为模式。这是一本需要反复阅读,并在不同人生阶段去体会的作品。
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