Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City where she worked in magazine publishing and marketing for nine years. She currently lives in Atlanta with her husband and daughter. This is her first novel.
我们中的很大一部分人曾想过自己写一部小说,在一次又一次失败过后,就开始一部接一部地读别人的小说,读越来越厚的小说,仿佛心甘情愿被陌生的故事榨干自己的时间。 我们的愿望只剩下可怜巴巴的一个,希望手里的这个故事被讲的简单动听。 有些人写到八十岁第九十本书时才明白...
评分“从没人写过这样的书,这将是本史无前例的书,完全崭新的视角。”用书中评价他们写的那本书的评价来评价这本书,我想也完全合适。 小说主要讲述了两个黑人女佣和一个白人大学女毕业生共同创作一本关于美国南方黑人女佣自己故事的书。她们写的是一本怎样的书?艾碧莲问雯,你到...
评分文/严杰夫 回顾上个世纪60年代的美国,对于我们这些“第三只眼”来说,可能会产生如下疑问:19世纪60年代经过南北战争后,黑人奴隶不是已经得到解放了么,但在100年后的20世纪60年代,美国却仍然存在着严重的种族问题。显然,被玛格丽特·米切尔感动过的我们,对美国种族问...
评分1960年,美国密西西比州首府杰克逊市,三位女性口述她们的日常生活,两位黑人女佣,一位白人小姐。即使站在今天回望,这个女声三重唱的组合也不同寻常。 密西西比河水滔滔流淌,“老人河”低沉哀伤的歌声,诉说着几个世纪以来黑色人种在这片丰饶土地上遭受的不幸。根深蒂固的种...
评分我觉得,所有现实主义作品都是在重申常识,而最基本的常识可以概括为:爱心,正义,善良。看上去挺简单,但我敢说,人生短暂,大部分人终其一生也未必能够搞清楚这三件常识。恐怕有史以来打着正义旗号的恶行罄竹难书—谁会大声宣布自己是在作恶呢?而愚蠢的善行也给世界带来许...
2020年读完的第一本书。其实主题很好,可总感觉不够精练,skeeter的角色也不够丰满和有信服力,一个勇于背叛父辈文化的人,面对社区小霸王却唯唯诺诺不堪一击,所有故事都没有结局,看着很不解气。
评分飞机上看完,很不错。虽然里面有不少桥段是很经典的方式所以未免有点老套,但是胜在语言有趣,看得出作者很用心,的确不同人称就有完全不同的风格。人物活灵活现,相当引人入胜,不然我也不会大感冒的十几小时不睡撑着看完。话说此书是我在我们楼下的basement捡的,以后决定常去捡。
评分小说人物塑造更加丰满深刻,难得的在于对于希望和绝望相互交织的写法,并且毫不回避残酷的现实带来的压抑气氛。只是对Miss Celia和minny关系的描写似乎没有一个可接受的“完结”。电影抓住精要,简化处理情节让其自成为封闭完整的的叙事体,更难得的是拍成了明亮的轻喜剧却不失原著精髓
评分文字思想本身没有太出彩的地方,胜在流畅易读,不同人称视角转换也很自然。这是我读的最快的原文书之一。
评分写的很好..就是人物跳来跳去的有点乱- -
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