Cathy Park Hong is the author of three poetry collections including Dance Dance Revolution, chosen by Adrienne Rich for the Barnard Women Poets Prize, and Engine Empire. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, Boston Review, and other journals. She is the poetry editor of The New Republic and full professor at the Rutgers University–Newark MFA program in poetry.
Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.
Binding these essays together is Hong’s theory of “minor feelings.” As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality—when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant—and in their tension Hong finds the key to the questions that haunt her.
With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche—and of a writer’s search to both uncover and speak the truth.
[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
評分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
評分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
評分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
評分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
挺有意思
评分“Capitalism as retribution for racism. But isn’t that how whiteness recruits us? Whether it’s through retribution or indebtedness, who are we when we become better than them in a system that destroyed us?”
评分挺有意思
评分通透 & unapologetic. 關於Innocence那篇最好
评分inspired and encouraged by Hong's book. | 當我們說“英語語境中需要更多亞裔作者/導演”時,所指的並不隻是Celeste Ng或是Jhumpa Lahiri,甚至都不隻是Ocean Vuong和Ted Chiang,我們也迫切需要Kochiyama和今天的Hong這樣的聲音 - 冷靜、大膽、又坦誠。 | 話說迴來,讀到作者在Oberlin的求學經曆之前,我從未有勇氣認真考慮過,對於擁有足夠特權去全身心投入文理教育的幸運的人來說, 大學所能提供的可以美好到多不真實的地步。我大學畢業幾年纔知道Judith Butler就在伯剋利教書,而過去十年在neoliberal ethos和late-capitalism的陰影下所錯過的或是揮霍的,不敢深究。
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