Starred Review. One of the weirdest and most startlingly original volumes of manga yet published in America, this wordless graphic novel has no plot to speak of: three men board a train and walk through it until they find seats, then ride through changing scenery until they reach their destination, a waterfront. That's it. The point of the book is Yokoyama's outlandish, hyperstylized designs for characters, architecture and landscapes. Everything and everyone is abstracted until nothing is left but a few identifying features; some sequences, as when the train passes through a rain shower, are almost pure pattern. (No other cartoonist likes drawing antislip flooring as much.) Read it quickly, and it zooms by like light poles past a speeding train's window. Linger over any page, though, and Yokoyama's diagrams of antiwind cigarette lighters and 20-lane highways, symmetrical buildings and identical trees start to make a bizarre kind of sense. His visions all seem invented rather than observed—they're a blueprint for a more orderly reality, rather than an interpretation of something that already exists—but there's something riveting about his endless, madly energetic variety of environments and perspective. And his end notes are hilarious, interpreting almost every page as if he's not certain what he drew: The landscape seems to symbolize something.
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非常神奇的一本漫画，看着很乱但实际层次分明，进站之后的场景极富想像力。最好玩的是基本所有描写人的都是第三人称而且是擦肩而过的瞬间，然后都有眼神交换，营造出一种随时爆发事件的感觉。基本没有故事但每个场景都引人入胜，整体营造的科幻和现实的交错感非常奇妙。封套，封套反面和实际的封面都比里面好看，尤其封面得人头和里面并不是一个风格，不过要都照这样画得估计得累死。最后，哪位看过的朋友能告诉我202页是什么意思？细思极恐。
评分本来这个点已经坐在成都吃钵钵鸡“伯伯鸡”，却因为误了早班机只好回家睡觉，翻到日本漫画家Yuichi Yokoyama的这本《Travel》，手法之妙不仅于人物的形象上，还有对小动作细致入微的分格刻画，从进地铁买票放入硬币的过程，再到雨滴打在车窗上下滑的过程，被雨水和车速分割的风景，仿佛可以听到声音。
评分刀锋
评分这一本跟《garden》类似，有一种把一群人物放置在一个巨型装置里的感觉。
评分非常神奇的一本漫画，看着很乱但实际层次分明，进站之后的场景极富想像力。最好玩的是基本所有描写人的都是第三人称而且是擦肩而过的瞬间，然后都有眼神交换，营造出一种随时爆发事件的感觉。基本没有故事但每个场景都引人入胜，整体营造的科幻和现实的交错感非常奇妙。封套，封套反面和实际的封面都比里面好看，尤其封面得人头和里面并不是一个风格，不过要都照这样画得估计得累死。最后，哪位看过的朋友能告诉我202页是什么意思？细思极恐。
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