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This splendid book crosses the boundaries of literary and intellectual history and makes vital contributions to both. Herendeen opens with an impressively learned survey of mythic and literary perspectives on the river in early and late antiquity, and from there he examines the emergence of the river poem in the Renaissance, with central attention to Spenser and his legacy in such neo-Spenserian poets as Drayton and Browne. The signal achievement of this study is in providing a critical paradigm for a cross-disciplinary approach to topographical literature in general and the river poem in particular; for although Herendeen's ultimate focus is on English literature, his paradigm has distinct relevance beyond national and disciplinary boundaries. This is a genuinely seminal work; certainly it is one of the best recent studies in the English Renaissance. It also has a virtue rare among scholarly books: a vigorous passion for the ultimate source-the rivers themselves-of the scholar's learned subject. One leaves this book caring more about not just river poems but also rivers. That is a very special accomplishment for an academic book and one that should help it attract a larger, more general readership. Recommended for college, university, and public libraries.-P. Cullen, Graduate School and University Center, CUNY
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