阿扎尔•纳菲西（Azar Nafisi）

伊朗裔美国女作家、学者、评论家。

1955年生于伊朗，13岁赴海外留学，26岁时获得美国俄克拉荷马州立大学文学博士学位。后归国任教于德黑兰大学等三所高校，但因在女性的穿着与行为等问题上与校方产生严重分歧而被辞退。1997年纳菲西返回美国，以访问学者的身份就职于约翰•霍普金斯大学。

除此书以外，纳菲西还在《纽约时报》、《华盛顿邮报》、《华尔街日报》等主流媒体上发表文化批评专栏，如今已成为美国炙手可热的评论家。

An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to its repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels.

For two years they met to talk, share and "shed their mandatory veils and robes and burst into color". Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however and they became "essential to our lives: they were not a luxury but a necessity", she writes.

Threaded into the memoir are trenchant discussions of the work of Vladimir Nabokov, F Scott Fitzgerald, Jane Austen and other authors who provided the women with examples of those who successfully asserted their autonomy despite great odds. The great works encouraged them to strike out against authoritarianism and repression in their own ways, both large and small: "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom." In short, the art helped them to survive. --Shawn Carkonen, Amazon.com --This text refers to an out of print or unavailable edition of this title.

'Communicates brilliantly the terrifying moral absolutism of a state which believes that to write of adultery is to condone it.'

'The use of Lolita, Gatsby etc. as metaphor is exquisite.'

A remarkably original account of one woman's experience of the Iranian revolution, generously interspersed with erudite passages of literary criticism. --This text refers to an out of print or unavailable edition of this title.