A Brief History of Curating

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汉斯•乌尔里希•奥布里斯特,1968 年生于瑞士苏黎世,现为伦敦蛇形画廊展览与国际项目总监,是活跃于当代艺术界的国际策展人和批评家。奥布里斯特迄今曾参与策划和发起了至少150 多个展览与项目,并编撰有70 多本学术著作,他的访谈项目已经积累了近2000 小时的录音素材,涉及无数全球重要的艺术家,因为他的影响力,他连续两年在《艺术评论》杂志的“艺术权力榜”中名列全球第二。

出版者:JRP|Ringier
作者:Hans Ulrich Obrist
出品人:
页数:200
译者:
出版时间:2009-2-28
价格:USD 22.00
装帧:Paperback
isbn号码:9783905829556
丛书系列:Documents
图书标签:
  • 策展 
  • 艺术 
  • criticism 
  • HansUlrichObrist 
  • curatorship 
  • Art.History 
  • 设计 
  • 艺术史 
  •  
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Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a 'spiritual guest worker'... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice--itself defined by selection and arrangement--would come to be seen as an art that operates on the field of art itself?"

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Museums have long been considered as “the cemetery for art” and “the heaven for dead useless objects.” In his conversation with HOU, Seth Siegelaub stipulates that the old-fashioned definition of the functions of a museum is “historicization,” that mu...

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When new cultural formations appear they tend to use fragments from already obsolete forms. The future is constructed out of elements from the past - nothing appears ex nihilo. Curators are not archeologists. They are a guide into artistic landscapes that are yet to emerge.

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When new cultural formations appear they tend to use fragments from already obsolete forms. The future is constructed out of elements from the past - nothing appears ex nihilo. Curators are not archeologists. They are a guide into artistic landscapes that are yet to emerge.

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图书馆有!14号见!

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一本现代知名策展人的访谈录,另一种视角看策展史。策展可能真的是幕后行业,访谈的策展人和提到的展一个都不知道,但这不妨碍我通过这本书初步理解什么是策展(人)

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