The Kite Runner of Khaled Hosseini's deeply moving fiction debut is an illiterate Afghan boy with an uncanny instinct for predicting exactly where a downed kite will land. Growing up in the city of Kabul in the early 1970s, Hassan was narrator Amir's closest friend even though the loyal 11-year-old with "a face like a Chinese doll" was the son of Amir's father's servant and a member of Afghanistan's despised Hazara minority. But in 1975, on the day of Kabul's annual kite-fighting tournament, something unspeakable happened between the two boys.
Narrated by Amir, a 40-year-old novelist living in California, The Kite Runner tells the gripping story of a boyhood friendship destroyed by jealousy, fear, and the kind of ruthless evil that transcends mere politics. Running parallel to this personal narrative of loss and redemption is the story of modern Afghanistan and of Amir's equally guilt-ridden relationship with the war-torn city of his birth. The first Afghan novel to be written in English, The Kite Runner begins in the final days of King Zahir Shah's 40-year reign and traces the country's fall from a secluded oasis to a tank-strewn battlefield controlled by the Russians and then the trigger-happy Taliban. When Amir returns to Kabul to rescue Hassan's orphaned child, the personal and the political get tangled together in a plot that is as suspenseful as it is taut with feeling.
The son of an Afghan diplomat whose family received political asylum in the United States in 1980, Hosseini combines the unflinching realism of a war correspondent with the satisfying emotional pull of master storytellers such as Rohinton Mistry. Like the kite that is its central image, the story line of this mesmerizing first novel occasionally dips and seems almost to dive to the ground. But Hosseini ultimately keeps everything airborne until his heartrending conclusion in an American picnic park. --Lisa Alward, Amazon.ca --This text refers to the Hardcover edition.
'A gripping read and a haunting story of love, loss and betrayal. Guaranteed to move even the hardest heart' Independent 'Shattering devastating and inspiring' Observer 'Harrowing yet exhilarating The beautifully honed prose and the perfectly controlled narrative keep a tight rein on the horrors that unfold in this haunting, morally complex tale' Daily Telegraph 'Stunning and heartbreaking in its quiet intensity Hosseini's writing is meticulous and evocative' Guardian
'Beautifully nuanced, and the moment of Amir's ultimate betrayal is genuinely shocking. It is a passionate story' --This text refers to the Paperback edition.
'If you liked The God of Small Things, then you'll love The Kite Runner ... compelling' --This text refers to the Paperback edition.
'Told with simplicity and poise, it is a novel of great hidden intricacy and wisdom like a timeless Eastern tale' --This text refers to the Paperback edition.
‘A marvellous first novel ... It's an old-fashioned kind of novel that really sweeps you away’ --This text refers to the Hardcover edition.
‘Poignant ... offers a moving portrait of modern Afghanistan, from its pre-Russian-invasion glory days through the terrible reign of the Taliban’ --This text refers to the Hardcover edition.
'Hosseini's description of a childhood friendship between two boys in Kabul is a moving reflection on Afghanistan's upheavals’ --This text refers to the Hardcover edition.
‘This is one of those unforgettable stories that stay with you for years ... extraordinary ... powerful’ --This text refers to the Hardcover edition.
'Hosseini's sparkling descriptions of people, places and emotions never dry up. Hosseini is a truly gifted teller of tales' --This text refers to the Hardcover edition.
'An epic tale ... shattering ... Amir's story is simultaneously devastating and inspiring ... sharp and unforgettable' --This text refers to the Hardcover edition.
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从纯粹的功利角度来看,这本书的定价虽然不算低廉,但考虑到它汇集了二十一篇“伟大”的作品,平均下来,每篇的成本其实是相当划算的。这相当于用一个较为集中的投资,就能一次性拥有二十一个不同作者的声音和视角,这对于想要快速了解二十一世纪初文学格局的读者来说,是一个高效的捷径。我把它看作是一种知识的浓缩和提炼,是想要构建一个扎实文学品味基础的“入门工具箱”。它省去了我大海捞针般去寻找那些散落在各处获奖杂志或小众期刊中的佳作的时间和精力。而且,即使只是把这本书放在客厅的书架上,它散发出的那种“我是一个有深度阅读习惯的人”的无声宣言,也是一种微妙的社交资本。它不仅仅是内容,更是一种身份的象征,代表着对高品质文化消费的追求。
评分说实话,我购买这本书很大程度上是冲着“Bloomsbury”这个品牌去的,这个名字在文学界,尤其是在英美文学圈子里,本身就是一种质量的保证。它让人联想到那些思想深邃、叙事大胆的文学先驱们。因此,我预设这本书中的选文一定不会是那种人云亦云、安全无害的作品,它们很可能带有一定的批判性、实验性,甚至可能在主题上会触及一些敏感或复杂的人类经验。我希望看到那些敢于挑战传统叙事结构,并且在语言上有所创新的作品。如果这21篇选作都是中规中矩的商业小说,那这个名头就显得有些言过其实了。我更希望它们能提供一种智力上的挑战,迫使我跳出舒适区,去理解那些尚未被完全驯服的思想流派,去感受文学在探讨“人类如何存在于这个新世纪”时的那种阵痛与辉煌。
评分我向来对“选集”类的图书抱有一种审慎的态度,因为很多时候,选集往往是作者的“大杂烩”,缺乏统一的主题或连贯的情感线索。然而,这本《The Kite Runner: 21 Great Bloomsbury Reads for the 21st Century》的副标题却让人眼前一亮,它似乎在暗示,这里面的每一篇文章或故事,虽然各自独立,却共同构成了一幅关于二十一世纪精神面貌的宏大图景。我猜想,这些作品一定是在探讨诸如身份认同的模糊性、技术对人性的异化、全球化背景下的文化冲突等核心议题。我期待看到不同风格的作者如何从各自独特的视角切入这些时代母题,他们的文字是否能提供新的洞察力,或者仅仅是重复我们已经厌倦的陈词滥调。这种期待感非常强烈,因为它考验的不仅仅是选篇的眼光,更是出版方对当代文学精神的把握深度。
评分这本书的封面设计简直是视觉的盛宴,那种深沉的靛蓝色背景,配上烫金的字体,一眼望去就带着一股沉淀多年的历史感和文学的厚重。我拿到手的时候,那种纸张特有的微涩感和油墨的清香,让人忍不住想立刻沉浸其中。它不是那种轻飘飘的流行读物,更像是某个古老书房里被珍藏的宝藏,每一页都仿佛能触摸到那些文字背后的重量。尽管我还没翻开内页,仅仅是这装帧的考究程度,就足以让人对接下来的阅读充满期待。我猜想,这一定是一本经过精心挑选、汇集了世纪精华的作品集,它承诺的“21 Great Bloomsbury Reads”这个标题本身就带着一种权威性和筛选的严谨性,仿佛是在为我们这些热爱深度阅读的读者勾勒出一条通往二十一世纪文学高峰的路线图。光是这种被“精选”的感觉,就让人觉得这笔投资绝对值得,它暗示着我们即将接触的不是一般的叙事,而是那些真正能触动时代脉搏、经受住时间考验的杰作。
评分这本书的排版布局透露出一种对读者体验的极致尊重,页边距的处理恰到好处,既保证了足够的留白,让眼睛在阅读长篇幅文字时能够得到充分的休息,又不至于让篇幅显得过于空旷而显得单薄。字体的选择也非常经典,那种衬线体的优雅感,让阅读过程成为一种享受而非负担。我尤其欣赏它在章节过渡页上的设计,往往会有一两句引人深思的引言或者一个极简的装饰性图形,这种细腻的处理方式,让原本可能有些枯燥的阅读过程变得充满了仪式感。它不像某些快餐读物那样追求速度,而是鼓励你慢下来,去品味每一个句子的韵律和节奏。从物理层面上来说,这本书的装订也极为牢固,平装本却有着精装书的耐用性,这说明出版商在制作过程中是下足了功夫的,目的是让这本书能够长久地陪伴读者,成为书架上可以反复翻阅的伙伴,而不是一次性消费品。
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