In the bestselling Warriors of God and Dogs of God, James Reston, Jr., limned two epochal conflicts between Islam and Christendom. Here he examines the ultimate battle in that centuries-long war, which found Europe at its most vulnerable and Islam on the attack. This drama was propelled by two astonishing young sovereigns: Holy Roman Emperor Charles V and Turkish sultan Suleyman the Magnificent. Though they represented two colliding worlds, they were remarkably similar. Each was a poet and cultured cosmopolitan; each was the most powerful man on his continent; each was called “Defender of the Faith”; and each faced strident religious rebellion in his domain. Charles was beset by the “heresy” of Martin Luther and his fervid adherents, even while tensions between him and the pope threatened to boil over, and the upstart French king Francis I harried Charles’s realm by land and sea. Suleyman was hardly more comfortable on his throne. He had earned his crown by avoiding the grim Ottoman tradition of royal fratricide. Shiites in the East were fighting off the Sunni Turks’ cruel repression of their “heresy.” The ferocity and skill of Suleyman’s Janissaries had expanded the Ottoman Empire to its greatest extent ever, but these slave soldiers became rebellious when foreign wars did not engage them.
With Europe newly hobbled and the Turks suffused with restless vigor, the stage was set for a drama that unfolded from Hungary to Rhodes and ultimately to Vienna itself, which both sides thought the Turks could win. If that happened, it was generally agreed that Europe would become Muslim as far west as the Rhine.
During these same years, Europe was roiled by constant internal tumult that saw, among other spectacles, the Diet of Worms, the Sack of Rome, and an actual wrestling match between the English and French monarchs in which Henry VIII’s pride was badly hurt. Would—could—this fractious continent be united to repulse a fearsome enemy?
Author of 13 books, three plays, and numerous articles in national magazines. Winner of Prix Italia and the Dupont-Columbia Award for his 1983 90 minute radio documentary on National Public Radio, "Father Cares: the Last of Jonestown." His last four historical works, Galileo: A Life, The Last Apocalypse, and Warriors of God, and Dogs of God have been translated into twelve foreign languages. Warriors of God and Collision at Home Plate have been optioned by Hollywood.
In 1976-1977, Reston was David Frost's Watergate adviser for the famous Frost/Nixon Interviews, seen by 57 million people world-wide. His narrative of that experience will be published in 2007 and entitled The Conviction of Richard Nixon: The Untold Story of the Frost/Nixon Interviews. The manuscript was a considerable inspiration to the British playwright, Peter Morgan, in the making of his hit London play, "Frost/Nixon," in which Reston is a major character.
His articles have appeared in the New Yorker, Vanity Fair, Time, The New York Times Magazine, Smithsonian, Esquire, American Theatre, Playboy, and Rolling Stone.
In recent years he has lectured widely in the United States and overseas on the millennium, the crusades, and the Spanish Inquisition, citing their relevance to modern issues.
He has been a fellow at the American Academy in Rome, a scholar in residence at the Library of Congress, and is currently a senior scholar at the Woodrow Wilson International Center for Scholars in Washington.
Born in New York in 1941, he was raised in Washington, D.C. and attended the University of North Carolina on a Morehead Scholarship where he earned his B.A. in philosophy. At UNC he was an All South soccer player and after forty two years still holds the single game scoring record for the university. (5 goals against N.C. State, October 18, 1962.) He attended Oxford University for his junior year.
Reston was an assistant to U.S. Secretary of the Interior, Steward Udall, 1964-65. U.S. Army, 1965-68. Lecturer in Creative Writing, University of North Carolina, 1971-81. Newsweek, PBS, and BBC candidate to be the first writer on the NASA space shuttle.
Married, with three children. Lives in Chevy Chase, Maryland.
我们国家的影视剧,小说什么啦,就喜欢鼓吹什么大帝啦,明君啦,圣主什么的。那群相当皇帝都想疯了的主儿们,只有借文艺这虚构的一亩三分地,穿上龙袍,好好yy一下。大帝们一个个人模狗样,高屋建瓴,又都是些多情种子。更兼忧国忧民,动不动就把社稷之福祉,万民之重托挂在bou...
评分我们国家的影视剧,小说什么啦,就喜欢鼓吹什么大帝啦,明君啦,圣主什么的。那群相当皇帝都想疯了的主儿们,只有借文艺这虚构的一亩三分地,穿上龙袍,好好yy一下。大帝们一个个人模狗样,高屋建瓴,又都是些多情种子。更兼忧国忧民,动不动就把社稷之福祉,万民之重托挂在bou...
评分1520到1536年间,近东和欧洲各有一个强权皇帝,分别叫做苏莱曼大帝和神圣罗马皇帝查理五世。这也帝国时代天主教国和穆斯林最后的碰撞。这一次,是来自亚洲的土耳其帝国问鼎欧洲,在维也纳城边,高唱着东方的圣歌。书的副标题叫做“查理五世,苏莱曼大帝,为欧洲而战”。但是,...
评分我们国家的影视剧,小说什么啦,就喜欢鼓吹什么大帝啦,明君啦,圣主什么的。那群相当皇帝都想疯了的主儿们,只有借文艺这虚构的一亩三分地,穿上龙袍,好好yy一下。大帝们一个个人模狗样,高屋建瓴,又都是些多情种子。更兼忧国忧民,动不动就把社稷之福祉,万民之重托挂在bou...
评分1520到1536年间,近东和欧洲各有一个强权皇帝,分别叫做苏莱曼大帝和神圣罗马皇帝查理五世。这也帝国时代天主教国和穆斯林最后的碰撞。这一次,是来自亚洲的土耳其帝国问鼎欧洲,在维也纳城边,高唱着东方的圣歌。书的副标题叫做“查理五世,苏莱曼大帝,为欧洲而战”。但是,...
这本小说简直是一场智力上的盛宴,作者构建的世界观宏大而复杂,细节之处见真章。我尤其欣赏他们对历史、宗教和权力斗争的交织描绘,那种错综复杂的关系让人欲罢不能。角色的塑造极其成功,每一个主要人物都拥有鲜明的个性和深刻的内心矛盾。他们的选择往往不是非黑即白,而是游走在道德的灰色地带,这让整个故事的张力倍增。我感觉自己仿佛置身于那个时代,呼吸着弥漫着香火与阴谋的空气。情节推进紧凑,高潮迭起,即便是最平静的段落,也潜藏着暗流涌动。我读到凌晨三点才放下,那种被故事紧紧抓住的感觉,很久没有体验过了。书中的一些哲学思辨尤其引人深思,关于信仰的本质、真理的定义,以及在巨大历史洪流面前个体能做出的反抗。如果要给这本书挑一个“毛病”,可能就是它信息量太大,初读时需要集中十二分的注意力,但正是这种密度,成就了它的深度。总而言之,这是一部需要细细品味,并且值得反复重读的杰作,它远超出了普通史诗小说的范畴。
评分这部作品拥有罕见的文学野心和实现能力。我很少看到一部小说能如此深入地挖掘权力结构背后的意识形态根基。作者的文笔如同一把锋利的刻刀,精准地切入主题,不带一丝多余的矫饰。它构建了一个层层叠叠的权力网络,从宫廷深处的密谋,到偏远地区教士间的私下争论,无一不展现出细致入微的观察。真正让我震撼的是作者对“信念”的描绘——它如何塑造一个人的行为,又如何被用来操纵大众。书中的人物为了维护或颠覆某种信念所付出的代价,读来令人心悸。相比于其他同类题材作品的浪漫化处理,这部小说显得格外冷峻和现实,它毫不留情地揭示了信仰之名下可能发生的残酷真相。阅读过程就像在剥开一个巨大的、由历史和人性编织而成的洋葱,每剥开一层,都会有新的、令人不安的认知浮现。强烈推荐给那些寻求深度阅读体验,并且不惧怕复杂叙事和深刻主题的读者。它值得被反复阅读和讨论。
评分读完这本书,我有一种强烈的冲击感,仿佛经历了一场漫长而艰苦的朝圣之旅。叙事的手法非常大胆和实验性,作者频繁地在不同时间线和视角之间跳跃,起初有点让人摸不着头脑,但一旦适应了这种节奏,便能感受到其精妙之处——它完美地模拟了历史记忆的碎片化和多重解释的特性。我特别喜欢作者对古代仪式和隐秘知识的描绘,那些描述既有学术的严谨性,又不失文学的浪漫色彩。它不满足于讲述一个故事,它更像是在解构一种文化现象。有些段落的语言风格极其华丽、古典,仿佛能听见羊皮卷被翻动的声音;而另一些段落则变得冷峻、直接,充满了现代主义的疏离感。这种风格上的巨大反差,恰到好处地烘托了主题的复杂性。我记得有一段关于“牺牲”的描写,作者用了足足十页篇幅,没有一句直接的评判,仅仅是通过环境、感官细节和人物的内心独白,将那种悲剧的崇高感推向了极致。这本书不是用来消遣的,它是用来思考的,需要读者投入巨大的情感和智力资源,但回报也是巨大的。
评分说实话,我一开始是被封面吸引的,但内容彻底颠覆了我的预期。这不是那种情节驱动的快餐读物,而是一部结构严谨、思想深邃的史诗。作者的功力体现在对细节的把握上,无论是中世纪某个修道院的内部构造,还是当时不同教派之间的神学争论,都处理得井井有条,让人不得不佩服其研究的广度和深度。我最欣赏的是其叙事声音的克制。作者很少直接介入,而是让事件和人物自己“说话”。这种距离感,反而增强了历史的厚重感和宿命感。书中的女性角色尤其出彩,她们不像传统史诗中那样只是男性的陪衬,而是掌握着关键信息、推动着隐秘议程的关键棋手,她们的力量是无声的,却是决定性的。全书的基调略显沉郁,探讨了人类永恒的困境——在既定的秩序和个体的自由意志之间的挣扎。读完后,我花了好几天时间整理思绪,它像一个巨大的迷宫,需要你反复回溯,才能真正理解各个分支是如何相互关联的。绝对是近年来读过的最有分量的作品之一。
评分简直是令人惊叹的史诗级叙事!这本书的篇幅虽然惊人,但阅读体验却出乎意料的流畅,这完全归功于作者对节奏的娴熟掌控。他知道何时该放缓笔墨,细致描绘一幅静止的宗教画卷,何时该骤然提速,展现一场决定命运的政治摊牌。我个人对其中涉及的古代文献考证和语言学上的假设特别感兴趣,作者巧妙地将这些学术性的内容融入到叙事肌理之中,使其成为推动情节发展的关键要素,而不是枯燥的背景介绍。那些关于信物、印记和口头传统的描绘,充满了神秘主义的诱惑力。我感觉作者不仅仅是在写一个故事,更像是在重构一种失落的知识体系。而且,这本书中的冲突从来都不是简单的正邪对抗,它往往是两种“真理”之间的碰撞,两种不同世界观的不可调和性,这使得每一次冲突都充满了悲剧性的必然。对我来说,这本书的价值在于它成功地将宏大的历史背景与最私密的人类情感(恐惧、忠诚、背叛)完美地结合在一起,读起来酣畅淋漓,震撼人心。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有