As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz's heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes's masterpiece, "The Death of Artemio Cruz "is a haunting voyage into the soul of modern Mexico. Carlos Fuentes, born in Panama in 1928, has received many awards for his accomplishments as a novelist, essayist, and commentator, among them the Cervantes Prize. He is the author of more than twenty books, including "The Old Gringo "and "The Eagle's Throne. "He divides his time between Mexico City and London. Hailed as a masterpiece upon its original publication in 1962, "The Death of Artemio Cruz" is Carlos Fuentes's haunting voyage into the soul of modern Mexico. Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred MacAdam. As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz's heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present. "This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."--Douglas Day "This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."--Douglas Day "Remarkable, in the scope of the human drama it pictures, the corrosive satire and sharp dialogue."--Mildred Adams, "The New York Times Book Review ""Carlos Fuentes is perhaps the only living Latin-American writer who has it in him to do for his country what Euclides da Cunha did for Brazil in "Os Sertoes," and to make the passion of the land's rebirth and repossession comprehensible to the outsider."--Anthony West, "The New Yorker ""First translated into English more than a quarter-century ago, Fuentes's acclaimed novel about modern Mexico has since gone through nearly 30 printings. Despite its popularity, the original English version often was unclear, obscuring Fuentes's language and intent. MacAdam's meticulous new rendering gives the English-reading public a fresh slant on the fictional Cruz, a newspaper owner and land baron. The novel opens with Cruz on his deathbed, and plunges us into his thoughts as he segues from the past to his increasingly disoriented present. Drawn as a tragic figure, Cruz fights bravely during the Mexican Revolution but in the process loses his idealism--and the only woman who ever loved him. He marries the daughter of a hacienda owner and, in the opportunistic, postwar climate, he uses her family connections and money to amass an ever-larger fortune. Cocky, audacious, corrupt, Cruz, on another level, represents the paradoxes of recent Mexican history. Written before Fuentes's masterpieces "A Change of Skin" and "Terra Nostra," this novel, with its freewheeling experimental prose and psychological exploration, anticipates many of the author's later themes."--"Publishers Weekly"
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这本书给我的整体感觉,就像是在经历一场漫长而艰苦的考古发掘工作。每一章、每一个场景,都像是小心翼翼地从泥土中清理出来的一块残片,你需要凭借自己的想象力与逻辑推断,将这些碎片拼凑成一个完整的人影,一个逝去时代的侧面。作者的叙事策略是碎片化的,他似乎故意打乱了线索,让读者像侦探一样,在大量的细节和场景切换中搜寻意义。这种阅读体验是极具挑战性的,但同时也带来了巨大的智力上的满足感——当那些看似无关的细节突然在你脑海中连接起来,构成一个清晰的因果链条时,那种豁然开朗的感觉是无可替代的。它不是那种让你沉浸其中、忘记现实的小说,而更像是一道需要反复演算的复杂方程。我尤其赞叹作者对于场景转换的魔力,他能在一页之内,从一个奢华的宴会厅瞬间切换到遥远的乡村泥泞之中,这种跨越阶层、跨越时空的并置,极大地增强了作品的张力,也使得任何既得利益的表象都显得如此不堪一击。
评分这本书的叙事手法简直令人拍案叫绝,作者似乎是一位技艺高超的魔术师,将时间线玩弄于股掌之间。我常常感觉自己不是在阅读一个线性展开的故事,而是在一个巨大的、由记忆碎片和当下现实交织而成的迷宫中穿梭。人物的内心独白如同电流般在不同年代间跳跃,上一秒还在描绘一个中年男人的傲慢与权谋,下一秒就倏地拉回到他童年贫瘠土地上的某个屈辱瞬间。这种破碎感非但没有让人迷失,反而构建了一种极其强烈的真实感——毕竟,我们的人生不就是由这些不连贯的片段和强烈的闪回构成的吗?作者通过这种非线性的结构,成功地解构了一个人复杂的灵魂。你无法用简单的“好人”或“坏人”来标签化任何一个角色,因为你看到了他们所有选择背后的那些幽暗的、充满挣扎的前因后果。每一次时间线的跳跃,都像是在揭开历史的一层面纱,让读者不得不重新审视已经建立起来的认知。我特别欣赏作者在处理历史背景时的那种不动声色,它不是刻意灌输的背景知识,而是自然地渗透在人物的每一次呼吸、每一次交易之中,仿佛这个宏大的历史背景就是他们生命力的源泉与枷锁。读完后,我有一种强烈的冲动,想立刻重新翻阅,去捕捉那些之前因为时间跳跃而错失的微妙的关联。
评分这是一部关于“记忆的重负”的史诗。阅读它,我感觉自己背负起了书中主角一生的重量——那些挥之不去的愧疚,那些被欲望扭曲的爱恋,以及那些因时代洪流而无法抗拒的决定。作者似乎在探讨一个核心命题:一个人最终的身份,究竟是由他主动选择的行动所塑造,还是由他那些无力抵抗的、环境强加的经历所限定?书中充满了对过去的反刍,但这种反刍并非是怀旧或缅怀,而是一种近乎折磨的自我审判。你看到一个人物如何一步步地被他早年的创伤所驱使,如何将他人的痛苦内化为自己前进的动力,最终成为他自己最痛恨的那种存在。这种内在的矛盾性,使得人物形象极其丰满和令人唏嘘。我特别留意到作者在处理人物生理状态上的描写,那种随着年龄增长带来的衰败感,与他不断膨胀的物质权力形成了鲜明的对比,形成了一种强大的、悲剧性的张力。这种对生命本质流逝的深刻洞察,让这部作品超越了简单的政治批判,上升到了对存在主义困境的哲学探讨层面。
评分这部作品的语言密度高得令人窒息,每一个句子都仿佛经过了无数次的锤炼,字斟句酌,力求将最复杂的情感和最深层的讽刺浓缩其中。我必须承认,阅读过程相当耗费心力,需要保持高度的专注力,否则稍不留神,就会错过那些如同暗流涌动的潜台词。作者似乎厌恶一切冗余的表达,他笔下的对话往往是冰冷、尖锐且充满试探的,寥寥数语便能勾勒出权力斗争中的残酷与虚伪。然而,最让我震撼的并非那种直白的批判,而是他对于“缺失”的描绘——那些没有被说出口的渴望,那些被压抑至深处的恐惧,反而比任何呐喊都更具穿透力。书中对环境的描绘也极为出色,那种热带的潮湿、污浊的空气、腐败的气息,似乎能透过纸页渗透出来,让读者真切地感受到这个世界肌体的溃烂。这种对细节的近乎病态的关注,让整个故事的基调变得压抑而沉重,它不像是一本小说,更像是一份详尽的、关于人性衰败的社会病理学报告。我必须放慢速度阅读,不是因为情节晦涩,而是因为我需要时间去消化那些沉甸甸的词语所蕴含的重量。
评分从叙事声调上来看,这本书的口吻带着一种近乎冷酷的疏离感,仿佛作者本人是一个站在高处,冷静地观察着一出早已注定结局的悲剧。这种旁观者的视角,使得读者在代入情感的同时,又始终保持着一种必要的批判距离。你被邀请进入人物的内心,目睹他们的卑劣行径和自我欺骗,但作者从未试图为你提供情感上的慰藉或道德上的捷径。相反,他鼓励你去审视那些建立在剥削与谎言之上的“成就”的虚妄本质。我特别欣赏这种毫不妥协的姿态,它要求读者也必须拿出同样的勇气去面对人性中那些不那么光彩的一面。书中的那些权力游戏和人际关系的复杂性,简直可以作为研究特定社会结构下个体异化的教科书案例。每一次角色之间的互动,都充满了算计与权力的角力,即便是最亲密的时刻,也似乎被某种看不见的契约所约束和定义。读完之后,你不会感到释然或满足,反而会陷入一种深刻的沉思:我们为了追逐那些被社会定义为“成功”的东西,到底牺牲了多少属于“人”的部分?
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