Gilbert Hernandez climaxed his award-winning "Palomar" series at the end of Love and Rockets' original run by leveling the Central American hamlet. But he soon picked up the story of Luba: The hammer-wielding matriarch had emigrated to the U. S. where she contended not only with an unwelcoming new culture but also her extended family. These "America" stories - over 80 of them, ranging from quick one-page blackout sketches to graphic novellas-were originally published in a number of different comics and reprinted in a trilogy of oversized paperbacks. Luba collects in one compact, affordable hardcover the entirety of these tales, showcasing Gilbert Hernandez's wicked wit, great compassion, and uncanny understanding of how human beings love, squabble, and ultimately find a way to make it through this life.
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对比他的兄弟Jaime来说，Gilbert的画面表现力才是吸引我看《Love and Rockets》的原因。他用画笔将故事里角色脑海里的幻想“真实”地描绘出来，魔幻、现实相得益彰。
评分对比他的兄弟Jaime来说，Gilbert的画面表现力才是吸引我看《Love and Rockets》的原因。他用画笔将故事里角色脑海里的幻想“真实”地描绘出来，魔幻、现实相得益彰。
评分对比他的兄弟Jaime来说，Gilbert的画面表现力才是吸引我看《Love and Rockets》的原因。他用画笔将故事里角色脑海里的幻想“真实”地描绘出来，魔幻、现实相得益彰。
评分对比他的兄弟Jaime来说，Gilbert的画面表现力才是吸引我看《Love and Rockets》的原因。他用画笔将故事里角色脑海里的幻想“真实”地描绘出来，魔幻、现实相得益彰。
评分对比他的兄弟Jaime来说，Gilbert的画面表现力才是吸引我看《Love and Rockets》的原因。他用画笔将故事里角色脑海里的幻想“真实”地描绘出来，魔幻、现实相得益彰。
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