52 Ways of Looking at a Poem

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出版者:Vintage
作者:Ruth Padel
出品人:
页数:272
译者:
出版时间:2004-02-05
价格:USD 16.50
装帧:Paperback
isbn号码:9780099429159
丛书系列:
图书标签:
  • 文论
  • 待看
  • 待查
  • 待Check
  • 写作
  • EN
  • 诗歌分析
  • 诗歌鉴赏
  • 文学批评
  • 写作技巧
  • 阅读理解
  • 文学
  • 教育
  • 技巧
  • 指南
  • 创意写作
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具体描述

Review

'Her introduction will come to be seen as the summary of the age. I haven't seen any description of where and who we are that's as clear, balanced and inspiring.' Jo Shapcott 'Many of us who like poetry but are ignorant about how a good poem is put together have learned to read unfamiliar poetry with greater understanding as a result of this weekly analysis. An Independent on Sunday reader

Back in 1999, Ruth Padel, poet and writer, began a weekly poetry column in The Independent on Sunday. This was an experiment to introduce modern poetry to the many people who felt sidelined by it, believing it 'difficult' or 'elitist'. What began as a six-week trial ran for two and a half years, during which time Padel was deluged with letters, phone calls and e-mails from readers who declared she had completely changed their response to modern verse. This is a selection of 52 poems and the related articles. Padel suggests ways of interpreting each poem, from a syntactical point of view and also from close analysis of the text. She provides some details of each poet's background, with reference to their other work and explains how the poem under discussion fits into the canon. Yet this outstanding book is far from just being a study guide. Padel's intention is to make the glorious diversity of modern poetry accessible to all, whatever their intellectual background. In the challenging essay that prefaces the poems she demystifies poetic style and structure in a lucid explanation of metre, rhyme and rhythm. She revels in unveiling the hidden rhyme patterns in the poems she discusses, and her boundless enthusiasm is infectious. She never attempts to claim her personal reading of a given poem is to be taken as gospel - in fact, alternative viewpoints from her readers fill her with delight. The poems have all been published in Britain, although the poets themselves come from all over the world. There are as many women as men represented, influential poets whose work has on occasion been dismissed as 'formless' and 'whimsical'. Ruth Padel has no truck with such criticism, and points out how women poets are often misunderstood and under-represented, simply because their poems are read and interpreted by men. There are poems about the enormous issues of death, sex and love, families and war. But there are also poems about feeling fat on the beach, a blind man making a cup of coffee, the loneliness of listening to the shipping forecast. For those of us who missed out on the chance to read her columns, Padel's collection will become a much-loved friend, to be returned to again and again for her wisdom, her perception and her unrestrained passion for poetry. (Kirkus UK) --This text refers to an out of print or unavailable edition of this title.

An Independent on Sunday reader

‘Many of us... have learned to read unfamiliar poetry with greater understanding as a result of this weekly analysis.' --This text refers to an out of print or unavailable edition of this title.

Times

"She chooses her poems with impeccable taste, an anthologist of the very best contemporary poetry" --This text refers to an out of print or unavailable edition of this title.

Product Description

Modern poetry is often represented as difficult or remote from most people's experience. This is a passionate attempt to introduce and examine all aspects of contemporary poetry and make it a familiar part of our lives.

From the Publisher

Based on Ruth Padel’s popular ‘Sunday Poem’ column in the Independent on Sunday which aimed to make contemporary poetry accessible and less intimidating by, each week, showing how to go about reading a poem. --This text refers to an out of print or unavailable edition of this title.

这本书名为《52 Ways of Looking at a Poem》,是一部深入探讨诗歌解读方法和艺术价值的集成作品。这部著作通过系统地整理多种不同的视角,帮助读者以多样化的方式理解诗歌所蕴含的内涵与美感。每一篇章都精心设计,旨在激发人们对文学作品的敏感性和思考,探索诗歌背后的情感、思想与文化背景。 书中采用了广泛而深入的方法论,引导读者从多个角度去分析诗篇。无论是从历史文化视角、语言学角度,还是在现代语境下进行解读,这本书都力求提供全面的思考框架和实际操作指南。通过丰富的案例分析与学术讨论,读者不仅能够理解个别诗句的深层意义,更能领悟整体作品中所隐藏的艺术美学价值。 《52 Ways of Looking at a Poem》特别强调了细腻的观察力和敏锐的洞察力,鼓励读者在阅读诗歌时保持开放的心态,以更丰富的视野去发现其中的层次与深意。这种多维度的思考方式,不仅适用于诗歌研究,更能拓展对生活、思想和艺术的理解。书中还包含大量的图片和讨论环节,辅助读者直观感受诗句背后的情感张力,使阅读过程更加生动有趣。 本书的内容经过精心编排,适合对文学兴趣较深的人士阅读,无论是学生、爱好者,还是希望提升学术素养的读者,都会找到有价值的内容。通过这些系统化的研究与思考,这本书不仅帮助人们更好地理解诗歌,也在潜移默化中培养他们的批判性思维和文化意识。 这一书的重要性在于,它不仅提供了对诗歌的解读工具,更通过丰富的内容和结构设计,提升了读者面对文学作品时的体验感与参与度。每一篇章都充满了探索精神,为那些渴望更好理解艺术形式的人们提供了一个有益的平台。在现代信息爆炸的时代,这种深度阅读和多角度思考的重要性愈加凸显。 整体而言,《52 Ways of Looking at a Poem》是一部充满智慧与启发的著作,它不仅是对诗歌的探索,更是对人类精神世界的一次深刻窥探。这本书邀请读者走进文学的心脏,通过细致入微的思考,发现隐藏在文字背后的无限可能。希望这篇书能为每一位读者带来新的视角和启迪,使他们在阅读中找到更多的意义与价值。

作者简介

About the Author

Ruth Padel is a highly respected poet whose collections Fusewire, Rembrandt Would Have Loved You and Voodoo Shop have all been published by Chatto. She also writes non fiction and her latest book, I'm a Man, an analysis of the masculine nature of rock music, was published by Faber. She is also a journalist, writing features and reviews for the major broadsheets.

目录信息

读后感

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用户评价

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这本书给我带来的最大冲击,在于它成功地“去神圣化”了诗歌创作的过程。很多关于诗人的刻板印象总是将他们描绘成某种被缪斯眷顾的、与凡人不同的存在。然而,这本书却将诗歌创作的秘密,拆解成了可以被理解、甚至可以被模仿的“方法论”和“心智模式”。它展示了伟大诗篇背后的艰苦取舍、反复打磨和技术性的抉择,让人明白,灵感固然重要,但扎实的手艺和对语言材料的精妙操控才是决定作品高度的关键。这种实在感非常治愈,它打破了许多人对艺术创作的畏惧心理,鼓励读者放下身段,真正走进创作的工坊去看一看。它传递的信息是:诗歌不是遥不可及的天赋,而是可以习得的、精妙的技艺。这种务实的态度,为我后续的阅读和思考提供了一个坚实而可操作的出发点。

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我发现这本书在叙事节奏上做得非常高明,它不像许多理论书籍那样一板一眼,上来就是晦涩难懂的术语堆砌。相反,作者的笔触非常轻盈且富有弹性,像一位经验老道的向导,带着你缓缓步入诗歌的迷宫。它似乎懂得现代读者耐心有限的弱点,所以每一个章节的推进都非常自然,总是在你即将感到疲惫时,巧妙地抛出一个引人入胜的案例或者一个出人意料的视角转换。这种叙事上的“弹性”让阅读过程充满乐趣,你不会觉得自己在被动接受信息,而更像是参与了一场持续的、充满启发性的对话。它成功地打破了“诗歌研究”往往给人带来的那种严肃、高高在上的距离感,让那些曾经遥不可及的意象和韵律,变得可触可感,甚至可以亲手去拆解和重构。这种流畅的阅读体验,极大地降低了理解诗歌的门槛。

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这本书的装帧设计实在让人眼前一亮,那种带着微微磨砂质感的封面,拿在手里沉甸甸的,立刻就给人一种“这是一本值得细品的书”的预感。我尤其喜欢它字体选择的考究,主标题的衬线体带着一种古典的韵味,与“诗歌”这个主题形成了绝妙的呼应,而那些内页的留白处理得恰到好处,读起来丝毫不觉拥挤,眼睛得到了极大的放松。翻开内页,纸张的色泽偏向暖白,长时间阅读也不会觉得刺眼,这无疑是出版方对读者体验的深度考量。装帧上的用心,让我觉得它不仅仅是一本知识的载体,更像是一件工艺品,放在书架上本身就是一道风景线。这种对细节的极致追求,让我对内部内容的质量也抱有了更高的期待,毕竟,愿意在“外衣”上如此下功夫的作者和出版社,通常在“内核”上也绝不会敷衍了事。光是捧着它,那种仪式感就已经烘托出了一种即将与某种深刻智慧对话的氛围,让人迫不及待想要沉浸其中。

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从语言学的角度来看,这本书的表达清晰度达到了一个令人敬佩的水平。很多关于诗歌结构、韵律、节奏的讲解,在其他著作中常常是佶屈聱牙,但在这里,作者总能找到最贴切、最日常化的类比来解释复杂的概念。比如,他对“断行”(Enjambment)的解释,竟然用了建筑学中的“结构张力”来比喻,一下子就让原本抽象的句法知识变得具象化,充满了动态的美感。这种精准的语言运用,体现了作者深厚的学术功底和高超的教学能力。他没有为了彰显学识而堆砌生僻词汇,而是致力于消除知识传递的“噪音”,确保读者能直接、无损地接收到核心思想。这种对清晰度的执着,使得即便是初次接触诗歌理论的读者,也能跟上作者的思路,而资深研究者也能从中找到新的理解维度。

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这本书最让我赞叹的是它对“观察”这一行为本身的哲学探讨,它远超出了单纯的文学分析范畴。作者似乎在不断地追问:我们究竟是如何“看”的?这种“看”是否可以被训练、被拓宽?书中对于不同文化背景下,人们感知世界细微差异的描述,简直是一次精神上的拓荒之旅。我读到一些关于光线、声音甚至气味在不同诗歌传统中如何被符号化处理的段落时,感觉自己的感官被重新校准了。它不再教你如何去“正确地”解读一首诗,而是教你如何去“更深地”体验生活本身,而诗歌只是这种深度体验的一种体现形式。这种由内而外的拓展,使得阅读这本书成为一种自我觉察的练习,它让人开始反思自己日常生活中那些被忽略的瞬间,那些被惯性思维过滤掉的美。

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