Speaking recently about his early years as an artist Lucian Freud claimed, 'I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing.' Drawing is fundamental to Freud's development as an artist and to how he sees in a way that that it was not, for example, at the foundation of the work of Francis Bacon. Drawing became an important part of Freud's life from the start and a famous sketchbook, "The Freud-Schuster Book", dating back to January 1940 when Freud was in Snowdonia with Stephen Spender, has survived.So too do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, "The Glass Tower" (1944). "On Paper" charts the works on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, "Large Interior W11" (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years. The works on paper are an extraordinary achievement, providing even deeper insights into the work of the greatest figurative artist of our time. The introduction is by Sebastian Smee and essay is by Richard Calvocoressi.
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好想买啊。路西安·佛洛依德 去世了，他早期的纸上绘画我很喜欢，节制、克制甚至是压抑自我的素描，才有了后来爆发式发泄的油画。
评分最后一位大师，非常喜欢他的作品，也喜欢他父亲弗洛伊德的书
评分素描集子 图像上的新鲜感呈现和弗洛伊德的绘画脉络显示 值得看 最后还是用图像说话
评分弗洛伊德素描集，葡萄兔的礼物太美了。
评分素描集子 图像上的新鲜感呈现和弗洛伊德的绘画脉络显示 值得看 最后还是用图像说话
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