Buckminster Fuller (1895a "1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the worlda (TM)s problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man.a oe These texts remain surprisingly topical even today, decades after their initial publication. While Fuller wrote the works in the 1960a (TM)s and 1970a (TM)s, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas. Initially published in 1969, and one of Fullera (TM)s most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and a oeexercising our option to make ita . How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide a oespaceship eartha toward a sustainable future. And it Came to Pass a " Not to Stay brings together Buckminster Fullera (TM)s lyrical and philosophical best, including seven a oeessaysa in a form he called his a oeventilated prosea, and as always addressing the current global crisis and his predictions for the future. These essays, including a oeHow Little I Know, a a oeWhat I am Trying to Doa oe, a oeSoft Revolutiona, and a oeEthicsa, put the task of ushering in a new era of humanity in the context of a oealways starting with the universe.a In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound. Utopia or Oblivion is a provocative blueprint for the future. This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960a (TM)s. Fullera (TM)s thesis is that humanity a " for the first time in its history a " has the opportunity to create a world where the needs of 100% of humanity are met. This is Fuller in his prime, relaying his urgent message for earthians critical moment and presenting pioneering solutions which reflect his commitment to the potential of innovative design to create technology that does a oemore with lessa and thereby improves human lives . . . a oe This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe - the alternative of which is obliviona . Buckminster Fuller.
评分
评分
评分
评分
坦白说,这本书的开篇相当具有挑战性,它没有采用那种直白的引导方式,而是直接将你抛入一个充满奇异规则和复杂历史背景的漩涡之中。起初我有些不知所措,感觉像是拿到了一份没有目录的古老文献,需要自己去摸索其中的逻辑脉络。然而,正是这种“被迫学习”的过程,极大地激发了我的探索欲。一旦你适应了作者独特的语言风格——那种既古典又带着一丝未来感的混搭语调——你会发现其内部蕴含的巨大能量。它不像市面上那些快速消费型的畅销书,更像是一块需要细细打磨的璞玉,你需要投入时间去感受它的纹理和光泽。其中对于时间流逝的描写尤其令人印象深刻,那种非线性的叙事手法,让“过去”、“现在”和“未来”之间的界限变得模糊而富有诗意。我特别喜欢作者处理道德灰色地带的方式,没有绝对的好人或坏蛋,每个人物都在自身环境的巨大压力下,做出了艰难且充满矛盾的选择。读完后,我感觉自己完成了一次精神上的“马拉松”,虽然疲惫,但收获是巨大的。
评分这本小说给我的感觉就像是在经历一场漫长而又迷雾重重的旅程,每一次翻页都充满了未知的期待。作者构建的世界观宏大而又细致入微,仿佛触手可及,人物的塑造更是立体得让人心痛。我尤其欣赏作者对于叙事节奏的把握,时而急促如山洪暴发,时而又舒缓得像夏日午后的微风,这种张弛有度的叙事技巧,牢牢抓住了读者的心弦。书中的那些隐喻和象征,初读时或许会让人感到困惑,但随着情节的深入,它们如同拼图般一块块完美契合,揭示出更深层次的主题。那些关于选择与命运的探讨,在我的脑海中久久回荡,甚至让我开始反思自己生活中的一些重要决定。阅读的过程中,我常常会停下来,仔细揣摩某一句精妙的措辞,或是某个出乎意料的转折。那种阅读的愉悦感,是近年来少有的体验,它不仅仅是故事的阅读,更像是一场深度的精神对话。我强烈推荐给那些喜欢慢热但后劲十足,并且对复杂人性有深刻洞察力的文学爱好者。
评分这部作品在结构上展现出一种近乎建筑学的严谨,但其内核却是极其柔软和感性的。它成功地在宏大的历史背景和微观的个体情感之间搭建了一座精巧的桥梁。我发现自己对书中的某些配角产生了比主角更深的共情,这恰恰说明了作者在人物群像塑造上的功力——每个人物,无论戏份多少,都有其存在的必然性和内在的完整性。书中的情感基调是复杂的,既有对逝去美好的怀念,也有一种面对未来不确定性的坚韧。它探讨了“坚持”的意义,这种坚持并非盲目的乐观,而是源于对自身信念的深刻认知。阅读过程中,我感觉自己的情绪被牵引着,时而低落,时而又被某种微小的希望之光所鼓舞。这是一种非常高级的共情体验,它不是简单地让你流泪或发笑,而是让你更深刻地理解人性的韧性与脆弱。这是一部需要反复品味,并值得被纳入私人书架珍藏的作品。
评分我必须承认,这本书的阅读体验是相当“沉浸式”的,以至于在我合上封面前的最后几页,我感到了一种强烈的“脱离感”,仿佛要与一个生活了很久的平行宇宙告别。作者对于环境的细致描摹,已经超越了简单的背景交代,它成为了推动情节发展的内在力量。无论是荒凉的边境城镇,还是那些被遗忘的古老图书馆,场景本身都充满了角色般的生命力。我尤其喜欢其中对于“沉默”的处理,很多关键的冲突和情感爆发点,都是通过人物的克制和环境的寂静来烘托的,这种“无声胜有声”的叙事手法,比任何激烈的对话都更具冲击力。它不是那种提供标准答案的故事,它更像是一个巨大的、开放式的提问,邀请读者用自己的经历和理解去填补空白。这种需要读者主动参与构建意义的文学作品,往往具有更持久的生命力,每次重读,想必都会有新的感悟。
评分这本书的文字密度极高,每一句话都仿佛经过了反复的斟酌和提炼,充满了画面感和哲学意味。它不是那种可以一边做家务一边听的背景读物,它要求你全神贯注,甚至需要准备笔和纸来记录那些稍纵即逝的关键信息点。我个人最佩服的是作者对于“失落感”的描绘,那种关于遗忘、关于追寻却又注定徒劳的氛围,渗透在整个故事肌理之中,既忧伤又带着一种奇特的、近乎崇高的美感。阅读体验是极其私密的,它让你感觉自己是第一个发现某个秘密的人。书中的某些章节,特别是那些关于记忆的碎片化呈现,简直可以单独拿出来作为文学短篇来欣赏。它打破了传统叙事对“清晰”的追求,转而拥抱“碎片”和“回响”。对于那些追求纯粹文学美感和语言艺术的读者来说,这本书无疑是一份厚礼。它迫使你慢下来,去品味那些被现代快节奏阅读所忽略的文字背后的深意。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有