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Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany
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Linville, Susan E. 作者
譯者
1998-1 出版日期
212 頁數
$ 22.54 價格
叢書系列
9780292746978 圖書編碼

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發表於2024-09-20

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 著者簡介

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 著者簡介

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany 在線電子書 圖書描述

German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns - namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages - Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Bruckner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.

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