Amateur hour has arrived, and the audience is running the show
In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.
Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can rein in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
From the Hardcover edition.
安德鲁·基恩,美国著名媒体人,频繁出现在各大媒体节目中,如,福克斯新闻、CNN国际、BBC晚间新闻等。他还为《伦敦独立报》写一个关于企业重组的专栏,同时也在为Dutch paper Volkskrant 和the Belgium daily De Standaard 两个纸媒撰写专栏。
在我们这样的世界,指望媒介和社会来帮助自己进行事实判断和价值判断,显得有些奢望了。 面对大规模的业余化,一个独立的人所应该掌握的人的人文社科类的知识: 1)媒介素养 2)逻辑学/批判性思维 3)哲学基础(丧失哲学基础的后果,就是人活着没有特定的立场,而只有飘忽的立...
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评分我们经常听到官方说,国情不同。这四个字仿佛一把万能钥匙,当固有的理论豪宅走到山穷水尽之时,大管家出来手持这把钥匙一转,就领你进到一个新房间——不管灯光有多昏暗,先进去再说。笃信普世价值的人群往往对这四个字嗤之以鼻,将其归结为监守自盗的说辞,但至少对于基恩的...
评分当年读《娱乐至死》,就备受震撼。在我们习以为常的媒介生活中,在我们每日接触的海量信息中,媒介居然扮演着如此负面的角色。 在大众媒体发展早期,从古腾堡开始,人类以为自己进入了彻底的、完美的信息世界,社会中的一切都变得透明,人类即将实现终极民主。人们甚至...
评分书中提到的web2.0的缺陷与问题,有哪些是社会固有,被网络技术激发起来的;哪些是网络创造出来的;哪些即使没有网络,也是那样子的? 在我看来,书中提到的大多数问题,都是经过网络新技术放大而已,本来它们就是存在在那里。 有些问题,根本就是任何新事物都会少年期都会遇见...
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