Portraiture and Politics in New York City, 1790-1825 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Bryan J. Zygmont 作者

VDM Verlag

譯者

2008-10-10 出版日期

252 頁數

USD 108.09 價格

Paperback

叢書系列

9783639089097 圖書編碼

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發表於2024-11-25

Portraiture and Politics in New York City, 1790-1825 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Portraiture and Politics in New York City, 1790-1825 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Portraiture and Politics in New York City, 1790-1825 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Portraiture and Politics in New York City, 1790-1825 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Portraiture and Politics in New York City, 1790-1825 在線電子書圖書描述

Four prominent portraitists were active in New York City between 1790 and 1825. Despite working in the same location, these artists had different training, developed distinct aesthetics, and often worked for distinct groups of patrons. Gilbert Stuart returned to the United States in 1793 and established himself as the preeminent portraitist in New York City. This coincided with a moment of political harmony in the United States. John Vanderlyn received most of his training in Paris in the studio of a prominent French neoclassicist. When Vanderlyn returned to New York City, Democratic-Republicans, politicians who wished to tie the diplomatic future of the United States to France, quickly embraced his French aesthetic. Conversely, Federalists who wished to further tie America to Great Britain preferred John Trumbulls English style. John Wesley Jarvis did not receive European training and instead developed an aesthetic that was quickly embraced by individuals who did not wish their portrait express political alignment. This neutrality was one reason why members of the military preferred Jarvis over his more politically inclined competitors.

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