"'Just remember, Buddy, ' said my father, 'you got family, you got friends. Back home in Cebu, but 'specially here, where you got nothin'.'" So begins this beguiling strut into true riches, recounted in twelve powerful stories by award-winning novelist Peter Bacho. Set in Seattle from the 1950s to the present, Dark Blue Suit depicts the lives of two groups: Filipino immigrant pioneers, the Manong generation who arrived on the Pacific Coast during the 1920s and 1930s, and their American-born children. Although narrated as fiction, the stories -- their landmarks, activities, settings, and events -- are grounded in historical fact. The book opens with the annual spring dispatch, by the Seattle-based Filipino union, of thousands of Filipino workers to the Alaska salmon canneries. We meet characters who reappear throughout the stories: Vince, the tough but charming union foreman and "big shot" father to Buddy, our American-born narrator; Chris, the battle-scarred union president targeted by McCarthyism; Rico, the spirited young king of the neighborhood who will fall victim to Vietnam; Stephanie, the beautiful mestiza who marries up; and many others who age and change in ironic counterpoint to persistent themes of loyalty, fierce ethnic pride, and a willingness to struggle against hostile forces in society. There are wry twists of humor and surprising turns of plot; a long-lost love is renewed; a long-hidden family secret is revealed. We encounter the inevitable aging and passing of the Manong generation, but we sense as well the arrival of its vision. Babies are born. The migrant fisheries worker gets a nine-to-five job, and his children go to college. The conclusion builds to a quietpower that is essentially elegiac; an era closes, but the voices of the older generation are shouldered by the younger, to keep the history, to retell the stories, and to pay homage. "These tales, so disarming in their sense of humanity, so lovingly and engagingly narrated in a style which appears effortless, deal with the shadows the massive facts of emigration and identity cast over the lives of Filipino Americans -- a literary turf Bacho has made particularly his own. Here he moves with an inveigling confidence amongst lives caught between the raucous demands of modern America and the potent ghosts of ethnicity. It is a superb performance". -- Thomas Keneally, author of Schindler's List "Bacho has a vital, deeply felt subject -- the lives of a group of Filipino immigrant men and the growing up of their often mixed-race children. This book sparked the desire to know even more intimately about these people, this very American enclave in time and space". -- Judith Grossman, University of Iowa "Peter Bacho's latest collection pays homage inform and content to the earlier generation of Filipino writers -- Bulosan, Santos, Gonzalez. But Bacho's stories provide a transition from that bachelor generation to the generation of Filipino families. His stories are a perfect contrast to Santos's Scent of Apples and an important link for teaching Asian American literature". -- Shawn Wong, University of Washington
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这本书带给我的阅读体验是极其不均匀的,但这种“不均匀”恰恰是它高明之处。有些故事读起来平实得像是邻居的闲谈,却在最后几句话完成了对世界观的颠覆;而另一些篇章则充满了寓言式的象征和隐晦的文化指涉,需要读者有一定的背景知识才能完全领会其妙处。我观察到,作者似乎对“时间流逝对记忆的腐蚀作用”有着持久的迷恋。很多故事的核心冲突都围绕着一个被遗忘的片段或一个被篡改的过去展开,人物为了抓住那一点点逝去的真实,付出了巨大的代价。这种对时间不可逆性的深刻反思,使得作品不仅仅停留在情节层面,而是上升到了形而上的哲学探讨。它的语言风格呈现出一种精致的破碎感,句子结构常常打破常规,看似随意,实则暗含着一种独特的内在音乐性,让你在阅读时,不自觉地跟随着作者设定的韵律起伏,最终被卷入那个被创造出来的,既熟悉又陌生的叙事宇宙之中。
评分这部作品集给我留下了一种复杂而深刻的印象,远超我对于短篇小说的传统期待。作者的笔触极其细腻,尤其擅长捕捉那些日常生活中转瞬即逝的微妙情感和人际间的暗流涌动。例如,其中一篇关于一个退休钟表匠的故事,读起来就像是走进了那间弥漫着机油和旧木头气味的店铺,每一个齿轮的转动、每一声滴答声都仿佛被赋予了生命的重量和时间的哲学意味。我特别欣赏作者在构建场景时的那种近乎电影镜头的切换感,色彩的运用非常到位,即便是在描写最平淡无奇的场景,也能从中挖掘出令人屏息的美感或令人不安的张力。叙事节奏的把握也十分老道,有几篇故事开篇缓慢,像是在耐心铺陈一张巨大的网,等你完全沉浸其中时,结局如同一声清脆的断弦,让人猛地惊醒,回味无穷。它不是那种提供即时满足的爆米花式阅读,而是需要你放慢呼吸,细细品咂文字背后的潜台词。那些人物的内心挣扎,那种介于希望与绝望之间的灰色地带,描绘得入木三分,让我甚至怀疑作者是否真的拥有某种洞察人心的天赋。读完之后,我感觉自己的感官似乎被重新校准了一遍,对周围世界的观察也变得更加锐利和多维。
评分坦率地说,我带着一种近乎挑剔的态度去接触这批故事的,毕竟要在短篇小说中做到既有创意又具深度,难度极大。然而,这本书的几个核心篇章彻底颠覆了我的预期。最让我震撼的是其叙事视角的灵活性,作者似乎能够毫不费力地在第一人称的私密独白和近乎全知的冷峻旁观者视角之间游走,每一次切换都服务于故事的情感核心,而不是单纯炫技。其中一篇似乎是关于一个偏远小镇上发生的神秘事件,但重点完全不在于“发生了什么”,而在于“当人们相信或不相信时,他们的现实是如何扭曲的”。这种对集体心理和个体认知偏差的探讨,极具社会学和心理学的深度。语言风格方面,它呈现出一种独特的、近乎古典的庄重感,但又巧妙地融入了现代语境下的疏离和焦虑,读起来既有老派文学的质感,又不失当下的共鸣。我尤其欣赏作者对“沉默”的处理,许多关键性的情感转折和人物关系的变化,并非通过激烈的对话来展现,而是通过长时间的停顿、未说出口的话语以及环境氛围的烘托来完成,这种“留白”的艺术处理,无疑是上乘之作。
评分读完这本书,我不得不感叹作者对“气氛”的营造近乎到了痴迷的地步。它不仅仅是讲述故事,更是在创造一种可以呼吸、可以触摸的氛围。很多篇目读起来,我仿佛能闻到空气中的潮湿、感受到皮肤上的寒意,即便我正窝在温暖的沙发里。举例来说,描写某次家庭聚会的那个故事,桌上食物的描写、窗外树影的晃动,都精确地映射着人物之间那些未被言明的紧张和疏离感。这种环境与心境的高度同步,是很多作家难以企及的境界。它的叙事节奏变化多端,有时快得像一阵突如其来的暴雨,将你淋得措手不及;有时又慢得像陈年的红酒,需要时间让其复杂的回味在舌尖上散开。我尤其欣赏作者在处理悲剧性情节时的克制,它从不煽情,而是将痛苦内化于人物的日常动作和观察之中,这种不动声色的力量,比任何声嘶力竭的哭喊都更具穿透力,直击人心最柔软的部分。
评分翻开这本书时,我其实有点担心它会落入那种故作高深的陷阱,但读下去才发现,它的“深”是源于对人性基本困境的真诚探索。这部作品集的结构很有趣,它似乎没有一条明确的主线将所有故事串联起来,但你却能感受到一种隐形的、关于“失落与重塑”的主题贯穿始终。有几篇故事的设定非常奇特,像是将现实场景进行了一次轻微的、令人不安的偏移——比如,一个完全正常化的世界中,某一个微小的物理定律被悄悄修改了,而所有人都对此习以为常。这种疏离感营造得极其成功,让你在阅读过程中忍不住频繁抬头看看窗外,确认自己所在世界的真实性。文字的密度很高,初读可能会觉得需要反复咀嚼,但一旦抓住作者设定的逻辑脉络,那种豁然开朗的体验是无与伦比的。它不像某些当代小说那样急于取悦读者,而是要求你投入时间、耐心去解码,但回报绝对丰厚。它更像是一系列精心打磨的雕塑,每一件都代表着一种复杂情绪的凝固。
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