Review
"Whether or not you have a brother, you’ll enjoy the entertaining, affecting tales collected here." —Penthouse (June 2009)
"Watch the boys in this rich anthology battle and booze, worship, envy, argue and die, and try not to think of your own brother. Brothers, edited by Andrew Blauner, is aptly subtitled 26 Stories of Love and Rivalry; by the end, you’ll wish there were a single word for that fraternal emotion ("lovalry"?) In this sampler with a surprising number of writer brothers (Wolffs, Cheevers, etc.) it’s David Kaczynski’s tale of recognizing the Unabomber in an older Ted that haunts and Rooster Sedaris who amuses, while Phillip Lobate, nails it, calling his brother "my personal metaphor for Life." (Playboy, May 2009)
"Editor Andrew Blauner has brought together some amazing literary lions to tell their tales about their brothers and the result is breathtaking, stunning, moving, more than a little heartbreaking, hysterical in places, and often completely overwhelming….Brothers is a remarkable compilation. Nothing quite like it comes to mind. Its force is electrifying and lasts well beyond the reading: the writers’ voices resonating long after the book is closed." (Blogcritics, April 2009)
"[Brothers] will quite likely appeal to readers in their parental roles, to women with brothers, and just about everybody else in one manner or another." -The Denver Post (July 2009)
"[Brothers] is a wonderful read dealing with the funny, sad, complex, comforting, competitive relationships between brothers. I can't wait for Andrew Blauner to come out with ‘Sisters.’ Highly recommended." (Travel Watch,
Novelist Frank McCourt’s rollicking essay detailing each of his brothers’ strengths and weaknesses is a fitting introduction to literary agent Blauner’s assortment of sibling ruminations. First up is the friendly fire exchanged between Benjamin and Fred Cheever, who take turns volleying their opinions on each other and how they separately perceived their upbringing in the shadow of a Pulitzer Prize–winning father. In "Secrets and Bones," Rolling Stone writer Mikal Gilmore reflects on the nature of family ties—a "fidelity born of blood"—during a bittersweet reunion with his "relinquished" brother Frank. Ethan Canin’s "American Beauty" touches on the frivolity and melodramatic intercourse of family. Tobias Wolff’s recollection, one of the best in the compilation, examines the "shambles of a summer" spent with his brother Geoffrey in the wake of their father’s nervous breakdown. David Sedaris offers an amusingly over-the-top, potty-mouthed family fable. Coming to terms with his brother Robert’s harrowingly sad mental illness becomes Jay Neugeboren’s key to happiness. David Kaczynski dissects life with "Unabomber" brother Ted as he describes the drastic repercussions of Ted’s cumulative psychological deterioration. Insisting it was "veneration" and not rivalry, Chris Bohjalian describes his motivation in mimicking his brother’s younger years, while rivalry certainly propels Daniel Menaker’s footnote-laden tale of family dynamics. Blauner (co-editor: Anatomy of Baseball, 2008, etc.) closes the anthology with a hilarious interview of Nathaniel and Simon Rich, who animate the push-pull fraternization of close-knit brothers. An accomplished paean to brotherly love. (Kirkus Reviews, April 2009)
Review
People Are Talking About Brothers
“Grown men do most of their living and dying in a relatively peaceful coalition of wives, partners, children, friends, colleagues, and aging parents. But a brother remains a figure of almost mythic proportions: the one mortal with whom the fight for love is never won, never lost, and only partly understood. Here are brutally honest war stories from such veteran brotherhoods of contemporary American literature as the scrappy McCourts, the storied Cheevers, the fighting Dunnes, the lovely Lopates, the Wolffs in Brooks Brothers clothing. David Kaczynski’s fearless, tender, and almost unbearably painful tale of learning to be the brother of the Unabomber is a searing metaphor for the mystery—and murder—in the heart of every brother, whether you are a Cain or an Abel.”
—David Michaelis, author, Schulz and Peanuts: A Biography
“This book choked me up and made me laugh. It also infuriated me, moved me, challenged me, and in the end left me feeling glad, above all else, that it existed. In other words, reading it was almost exactly like how I feel about my own brother. These wonderful stories should be read by anyone curious about this unique, and uniquely shaping, bond.”
—Tom Bissell, author, The Father of All Things
“Andrew Blauner has invited an all-star team of writers to visit an underexplored subject. The results are moving and revealing.”
—Peter D. Kramer, author, Listening to Prozac and Against Depression, and Clinical Professor of Psychiatry and Human Behavior at Brown University
“How to understand the mysteries in our own families with our siblings, the laboratories of so much of how we play out our lives? Brothers is riveting—an important addition to sibling literature. A band of brothers grappling with their triumphs and failures, fierce loyalties and betrayals. Daniel Menaker astonishes with his heartbreaking and searing essay on his brother’s death—and his own misplaced sense of personal responsibility. Must reading for all brothers—and their sisters.”
—Marie Brenner, author, Apples and Oranges: My Brother and Me, Lost and Found
传记作家大卫·麦凯里斯说过一句耐人寻味的话:“我们成人,大部分是和妻子、伙伴、孩子、朋友、同事、年迈的双亲在一起,活着,或是面临死亡。可是兄弟关系说不清,几乎有些神秘。”我是当了父亲之后,才搞懂了兄弟之间是怎么回事。因为以前,或许只会从子女的角度,去看父母...
评分传记作家大卫·麦凯里斯说过一句耐人寻味的话:“我们成人,大部分是和妻子、伙伴、孩子、朋友、同事、年迈的双亲在一起,活着,或是面临死亡。可是兄弟关系说不清,几乎有些神秘。”我是当了父亲之后,才搞懂了兄弟之间是怎么回事。因为以前,或许只会从子女的角度,去看父母...
评分传记作家大卫·麦凯里斯说过一句耐人寻味的话:“我们成人,大部分是和妻子、伙伴、孩子、朋友、同事、年迈的双亲在一起,活着,或是面临死亡。可是兄弟关系说不清,几乎有些神秘。”我是当了父亲之后,才搞懂了兄弟之间是怎么回事。因为以前,或许只会从子女的角度,去看父母...
评分传记作家大卫·麦凯里斯说过一句耐人寻味的话:“我们成人,大部分是和妻子、伙伴、孩子、朋友、同事、年迈的双亲在一起,活着,或是面临死亡。可是兄弟关系说不清,几乎有些神秘。”我是当了父亲之后,才搞懂了兄弟之间是怎么回事。因为以前,或许只会从子女的角度,去看父母...
评分传记作家大卫·麦凯里斯说过一句耐人寻味的话:“我们成人,大部分是和妻子、伙伴、孩子、朋友、同事、年迈的双亲在一起,活着,或是面临死亡。可是兄弟关系说不清,几乎有些神秘。”我是当了父亲之后,才搞懂了兄弟之间是怎么回事。因为以前,或许只会从子女的角度,去看父母...
如果用一个词来形容阅读这本书的感受,那一定是“酣畅淋漓”。这绝非那种矫揉造作、故作高深的文学作品,它拥有着令人难以抗拒的生命力和原始的叙事驱动力。作者对于场景的描绘,尤其是那些充满张力、一触即发的冲突场面,简直可以媲美最顶级的电影镜头语言。那种紧张感是实体化的,我甚至能闻到空气中弥漫的火药味和汗水的咸涩。故事的节奏把握得炉火纯青,时而如山洪暴发般迅猛,将你推向高潮;时而又戛然而止,留下漫长而令人窒息的寂静,让读者独自消化刚才发生的震撼。更难得的是,即使在最激烈的动作戏份中,角色的内心挣扎和动机依然清晰可见,动作服务于人物,而不是喧宾夺主。这种动静结合的完美平衡,让这本书拥有了一种罕见的、难以被归类的气质——它既有文学的深度,又不失通俗故事的吸引力。我是在一个周末里一口气读完的,中间几乎无法停歇,那种被情节牵着鼻子走的快感,久违了。
评分这本书最让我印象深刻的是其对“记忆”与“遗忘”主题的深刻挖掘。作者处理这一主题的方式极其创新,它不仅仅是将回忆作为叙事工具,而是将记忆本身塑造成了一个有生命力的、不可靠的、甚至具有攻击性的角色。故事中充斥着各种版本的、相互矛盾的陈述,你不得不质疑你所读到的一切,质疑叙述者的可靠性,甚至质疑角色的自我认知。这种叙事上的不确定性,完美地模拟了人类大脑处理创伤和历史的方式——模糊、选择性保留、以及被迫的遗忘。它迫使我不断地停下来,审视自己生活中那些被选择性珍藏或刻意埋藏的片段。书中的某些段落,关于时间如何扭曲感知,如何让真相变得面目全非,简直是哲学思辨的教科书级别展示。它不提供抚慰,它提供的是清醒的疼痛,让你明白“记住”和“活下去”之间常常存在的巨大鸿沟。对于那些喜欢在阅读中进行深度哲学思考的读者来说,这本书简直是一个宝藏。
评分这部作品的叙事结构简直是艺术品级别的精妙布局。我常常惊叹于作者如何能在如此庞杂的线索中游刃有余,每一个看似不经意的伏笔,最终都会在最意想不到的时刻爆发出惊人的力量。它不像传统小说那样线性推进,而是更像一幅多维度的挂毯,不同时间线、不同视角的碎片互相映射、互相印证,最终拼凑出一个令人震撼的全景图。初读时,可能会因为信息的密度和跳跃性感到一丝迷惘,但这正是它的魅力所在——它要求读者投入全部心神,主动去构建逻辑,去梳理那些潜藏在字里行间的关联。随着阅读的深入,那种“豁然开朗”的体验是无与伦比的,仿佛解开了一个极其复杂的密码锁,所有晦涩之处瞬间明晰,甚至能看到作者事先埋下的那些巧妙的“陷阱”和“惊喜”。这种智力上的挑战与最终的满足感是成正比的,它不仅仅提供了一个故事,更提供了一套观察世界的全新方法论。读完之后,我甚至会回翻前面的章节,去重新审视那些被我最初忽略的细节,你会发现,这部作品的层次之深,远超乎初次接触时的想象。
评分这本书简直是精神世界的奇遇记!我从来没想过一个故事能将如此复杂的情感纠葛和宏大的历史背景编织得如此天衣无缝。作者的笔触细腻入微,仿佛能透过文字感受到角色的每一次心跳和呼吸。特别是对那种在时代洪流中个体命运的无力感描绘得淋漓尽致,让人在为人物的挣扎而揪心时,也不由得思考起自身存在的意义。那种对人性深处的探究,那种对道德困境的直面,绝非浅尝辄止的泛泛而谈,而是深入骨髓的剖析。我尤其欣赏其中关于选择与后果的探讨,它没有给出简单的对错答案,而是呈现了一个个灰色的地带,让读者自己去寻找属于自己的道德罗盘。翻开书页,就像被卷入了一个个交织的时空隧道,每一次阅读都是一次对自我边界的拓展。我花了整整一个星期才勉强从那种强烈的沉浸感中抽离出来,书页合上的那一刻,世界似乎都变得不一样了。如果你期待一部能够真正触动灵魂、让你久久无法释怀的史诗级作品,那么这本书绝对不容错过。它不仅仅是阅读,更像是一场深刻的自我对话,一次对人类复杂性的致敬。
评分我对这本书中人物塑造的真实感佩服得五体投地。他们绝不是脸谱化的符号,而是充满了矛盾和缺点的、活生生的人。我特别欣赏作者没有试图将任何一个主要角色塑造成传统意义上的“英雄”或“恶棍”。每个人都在自身局限和外部压力下做出了艰难的、往往是错误的决定。你可以在他们身上看到自己最脆弱、最不愿承认的那一面。他们的对话极其自然,充满潜台词和未尽之意,你必须细心聆听那些没有说出口的部分,才能真正理解他们之间的微妙张力。特别是两位核心人物之间的互动,那种微妙的疏离感和无法言喻的牵绊,比任何直白的表白都更具有力量。阅读他们的故事,就像在观察一幅精美的社会学田野调查报告,充满了人性的复杂肌理。我甚至会因为某个角色的某个决定而感到愤怒,但转过头又会理解他选择背后的无奈,这种复杂的情绪拉扯,正是优秀文学作品的标志。这本书里没有完美的救赎,只有真实人性的复杂博弈,令人回味无穷。
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