Calligraphy is often regarded as the purest manifestation of an artist's inner character and level of cultivation, as well as the expression of his soul, thoughts and feelings. This volume presents some 58 Japanese works, almost all calligraphy, from the collection formed over the last 40 years of the 20th century by Sylvan Barnet and William Burto, literary scholars who became enraptured by the Japanese art of the brush. Spanning more than a thousand years from the Nara period (710-794) through to the 19th century, the material includes sublime early sutras, or transcriptions of the Buddha's discourses; an extraordinary mandala that is perhaps the finest example of its kind in the West; seminal works by such renowned figures as Myoe, Koetsu, Muso, Konoe and Daishin; letters and poems that illuminate courtly life; and powerful graphic statements by Zen monk-artists. The opening essay by Sylvan Barnet and William Burto, which is directed to a non-Japanese reader, offers a look at the ways in which Japanese calligraphy can be appreciated. Miyeko Murase's introduction provides a commentary on the Japanese calligraphic scripts and scribes and an overview of the society and world in which this art flourished.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有