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National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies)
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简体网页||繁体网页
Sumita S. Chakravarty 作者
Univ of Texas Pr
译者
1994-01 出版日期
351 页数
USD 22.95 价格
Paperback
丛书系列
9780292711563 图书编码

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National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


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National Identity in Indian Popular Cinema 1947-1987 (Texas Film Studies) 在线电子书 图书描述

Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema's characteristic forms, its range of meanings and pleasures and above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse and "Third World" cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955) and Bhumika [The role] (Shyam Benegal, 1977). She shows how "imperso-nation," played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal and regional differences are obsessively evoked, explored and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.

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