Yes is more is the title of an exhibition and a book presenting B.I.G. in solo format for the first time in Denmark at the Danish architecture centre. Unlike a classic architectural monograph, this book is more of a popular cultural manifesto, which is also literally the first actual documentation of B.I.G.'s trailblazing practice. As the book demonstrates, this is a practice where method, processes, instruments and the approach to the concept of architecture is precisely as wild, unfettered and result-producing as the world it is part of and greets with an unqualified Yes. Bjarke Ingels attracts highly talented co-workers, but also gifted and ambitious clients from all over the world. He does so because his own talent is above all to swiftly create intelligent synergies out of indomitable "movements", wild energies and unforeseen dynamics and transform them into hitherto unseen, surprising, functional, valuable and beautiful solutions to the specific and complex challenges in each task. The results of B.I.G.'s practice has already won awards from the Royal Academy of Fine Arts, the Special Jury Prize at the Venice Architecture Biennale, the prize for "The World's Best Housing Project", "Best Building in the Nordic Countries" as well as many other international kudos. The project and the title Yes is more is a double-edged wordplay on the dogma in modern architecture that "less is more". Less is only more as far as dimensions go - the ability to encompass as many dimensions as possible (more) with as few expenses as possible (less). As a design parameter for an aesthetic retro minimalism this only amounts to idiosyncratic architectural idiocy.
具体描述
读后感
Big的作品个性鲜明，似乎开了一路独往独来的风气，而且近年来上升势头很猛，投标成功率非常高。通过这本书能够了解他们的成功并非偶然。 Ingels自己定义是“现实的乌托邦主义者”，那些看起来新鲜的结果，大多是从解决现实问题出发，遵循逻辑建立的，之所以又不流俗，是因为思...
评分离第一次读这本书过了也有四年时间了，后来几年陆陆续续的翻过。自己也从一个建筑边缘或者更为宏观学科：环境艺术的学生变成了学院派建筑生。此时的BIG不再是那个少数派的年轻事务所，反而更像一个绿色免安装版的OMA，并广为人知。15年出版《HOT TO COLD》（得益于天时地利，已...
评分BIG在开篇直白的说道“建筑项目的真正起源常常难以表述清楚，其过程过于松散，不连贯，气势不够宏大，不足以令人信服”、“….巧合的是，我们在项目进行过程中取得的重大性突破都是通过即兴灵感和对意外阻碍的调整适应来取得的”、“现实的冲突反而是我们克服建筑局限性的保证...
评分BIG的主创Bjarke Ingels曾经在OMA工作，后来在丹麦创建了BIG。从他的思考方式和行事风格中可以看到很多老库的影子，BIG更加注重斡旋于社会各方力量之中以增强建筑对社会的积极作用。 有些作品有很强烈的乌托邦气息，很符合他们所倡导的快乐设计的态度。 BIG倡导建筑设计应该...
评分BIG在开篇直白的说道“建筑项目的真正起源常常难以表述清楚，其过程过于松散，不连贯，气势不够宏大，不足以令人信服”、“….巧合的是，我们在项目进行过程中取得的重大性突破都是通过即兴灵感和对意外阻碍的调整适应来取得的”、“现实的冲突反而是我们克服建筑局限性的保证...
用户评价
怎么说呢这个
评分不会画漫画的建筑师不是一个好建筑师
评分Say yes to all culture, religion, context. Touchable, conceivable, playable, and flexible. Sometimes they reduplicate, but always fit. Utterly unimaginable and bold. Somebody is endured the power of morphosis.
评分简直就是现代版Brutalism 呵呵 对这种放之四海而皆准的东西不能苟同
评分百闻不如一读，图解建筑，画diagram他们家真是一把手
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