Leonardo Da Vinci and the Art of Sculpture 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Leonardo Da Vinci and the Art of Sculpture

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Gary M. Radke 作者
Yale University Press
譯者
2009-11-24 出版日期
224 頁數
USD 55.00 價格
Hardcover
叢書系列
9780300154733 圖書編碼

Leonardo Da Vinci and the Art of Sculpture 在線電子書 圖書標籤: 雕塑  英語  藝術  Leonardo_Da_Vinci  DaVinci  Art&Museum   


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Leonardo Da Vinci and the Art of Sculpture 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Leonardo Da Vinci and the Art of Sculpture 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Leonardo Da Vinci and the Art of Sculpture 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Leonardo Da Vinci and the Art of Sculpture 在線電子書 著者簡介


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Leonardo Da Vinci and the Art of Sculpture 在線電子書 圖書描述

Leonardo da Vinci (1452–1519) is renowned as a painter, designer, draftsman, architect, engineer, scientist, and theorist. His work as a sculptor is not commonly acknowledged, and many have argued that Leonardo believed that sculpture was an inferior art form (“of lesser genius than painting”). Challenging and overturning these assumptions, Leonardo da Vinci and the Art of Sculpture looks at the sculptural projects that the artist undertook, as well as the late Renaissance sculptures that were indebted to him.

Leonardo consistently drew inspiration from ancient sculpture, admired the work of such contemporary sculptural innovators as Donatello, and even trained under Andrea del Verrocchio, the preeminent bronze sculptor of late 15th-century Florence. Furthermore, Leonardo spent many years of his life working on two larger-than-life-sized horse sculptures—Sforza and Trivulzio—monuments to Francesco Sforza, the Duke of Milan, and to Gian Giacomo Trivulzio, his sucessor. Although neither was completed, the authors argue that these equestrian monuments show how Leonardo was intensely engaged with the design dilemmas of representing a horse rearing on its hind legs. Another highlight of the book is a group of new images of the John the Baptist Preaching to a Levite and a Pharisee, a recently restored large-scale work in the Florentine Baptistery that clearly demonstrates Leonardo’s collaboration with Giovanni Rustici.

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