Modern Art and the Grotesque 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Modern Art and the Grotesque

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Connelly, Frances S. 编 作者
Cambridge University Press
译者
2009-07-23 出版日期
336 页数
USD 39.99 价格
Paperback
丛书系列
9780521115766 图书编码

Modern Art and the Grotesque 在线电子书 图书标签: 设计/艺术/fashion/media  modern  art   


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发表于2024-11-24


Modern Art and the Grotesque 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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Modern Art and the Grotesque 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Groteque拿到当代艺术语境当中应该是别的意思了,我觉得David Summer的文章写得比较有见地

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"the horizon where monsters dwell might well be imagined as the visible edge of the hermeneutic circle itself," a critique of the modernist narratives that opens up new creative possibilities

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"the horizon where monsters dwell might well be imagined as the visible edge of the hermeneutic circle itself," a critique of the modernist narratives that opens up new creative possibilities

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"the horizon where monsters dwell might well be imagined as the visible edge of the hermeneutic circle itself," a critique of the modernist narratives that opens up new creative possibilities

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"the horizon where monsters dwell might well be imagined as the visible edge of the hermeneutic circle itself," a critique of the modernist narratives that opens up new creative possibilities

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Modern Art and the Grotesque 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Modern Art and the Grotesque 在线电子书 图书描述

This volume examines how the grotesque has shaped the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque entered into the mainstream of modern expression during the romantic era. It has been adopted by a succession of artists as a way to push beyond established boundaries, to explore alternate modes of experience and expression, and to challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Hoch, de Kooning, Polke, and Mona Hatoum, the essays also encompass a variety of media, including medical illustration, paintings, prints, photography, multimedia installations, and film. This study brings into focus a range of subjects, styles and theoretical viewpoints that have traditionally been marginalized in the standard narratives on modernism. It demonstrates how the grotesque in modern art directly ties into current debates regarding the representation of race and gender, abjection and the other, globalization, and appropriation.

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