The Philosophy of Neo-Noir 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Philosophy of Neo-Noir

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Mark T. Conard 作者
The University Press of Kentucky
譯者
2009-2-20 出版日期
222 頁數
USD 19.95 價格
Paperback
叢書系列
9780813192178 圖書編碼

The Philosophy of Neo-Noir 在線電子書 圖書標籤: 電影理論  neo-noir  film-philosophy  film-noir  cinemasocism   


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The Philosophy of Neo-Noir 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Philosophy of Neo-Noir 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Philosophy of Neo-Noir 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



The Philosophy of Neo-Noir 在線電子書 用戶評價

評分

devoid of philosophical terminology, which makes it readable and a cut-in to hard-core philosophy (maybe?). a leisure time reading, for its direct reference from pop culture. anyway, i am reading it...........

評分

devoid of philosophical terminology, which makes it readable and a cut-in to hard-core philosophy (maybe?). a leisure time reading, for its direct reference from pop culture. anyway, i am reading it...........

評分

devoid of philosophical terminology, which makes it readable and a cut-in to hard-core philosophy (maybe?). a leisure time reading, for its direct reference from pop culture. anyway, i am reading it...........

評分

devoid of philosophical terminology, which makes it readable and a cut-in to hard-core philosophy (maybe?). a leisure time reading, for its direct reference from pop culture. anyway, i am reading it...........

評分

devoid of philosophical terminology, which makes it readable and a cut-in to hard-core philosophy (maybe?). a leisure time reading, for its direct reference from pop culture. anyway, i am reading it...........

The Philosophy of Neo-Noir 在線電子書 著者簡介


The Philosophy of Neo-Noir 在線電子書 著者簡介


The Philosophy of Neo-Noir 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Philosophy of Neo-Noir 在線電子書 圖書描述

Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.

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