This volume features a dedicated mailing and e-mail campaign to targeted film related media & organisations.During the 1960s and 1970s, Michelangelo Antonioni (1912-2007) forged a new cinematic language that uniquely reflected a changed, postwar world. His early success, including "L'avventura" (1960) and "La note" (1961), reshaped film drama by focusing so intently on characters that plot was often a secondary concern, he later went on to engage contemporary politics and modern social alienation in his most notable English-language films - such as "Blow Up" (1966) and "Zabriskie Point" (1970)."Michelangelo Antonioni: Interviews" brings together a broad range of conversations with the celebrated filmmaker, including one never before published, ranging from 1960 to 1983, in which he discusses his neuroses, his cinematic concerns, his roots in Italian neo-realism and the reasons he ultimately broke free from cinematic conventions.
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面對記者學生，安東尼奧尼很愛說話，愛說真切的實在的話，回憶中穿梭著自省，不知覺間已把作品與自己都拆解細膩了。讀一篇他的訪談，勝過旁的論文無數
评分面對記者學生，安東尼奧尼很愛說話，愛說真切的實在的話，回憶中穿梭著自省，不知覺間已把作品與自己都拆解細膩了。讀一篇他的訪談，勝過旁的論文無數
评分面對記者學生，安東尼奧尼很愛說話，愛說真切的實在的話，回憶中穿梭著自省，不知覺間已把作品與自己都拆解細膩了。讀一篇他的訪談，勝過旁的論文無數
评分面對記者學生，安東尼奧尼很愛說話，愛說真切的實在的話，回憶中穿梭著自省，不知覺間已把作品與自己都拆解細膩了。讀一篇他的訪談，勝過旁的論文無數
评分面對記者學生，安東尼奧尼很愛說話，愛說真切的實在的話，回憶中穿梭著自省，不知覺間已把作品與自己都拆解細膩了。讀一篇他的訪談，勝過旁的論文無數
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