In this exquisitely produced book Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully re-edited and re-sequenced by the photographer, who has added thirty-nine previously unpublished images. Illuminated by moonlight and streetlamp, the houses, roads, sidewalks, and fields in Summer Nights, Walking retain the wonder and stillness of the original edition, while adopting the artists intention of a dreamy fluidity, befitting his nighttime perambulations. The extraordinary care taken with the new reproductions also registers Adamss attention to the subtleties of the night, and conveys his appeal to look again at places we might have dismissed as uninteresting. Adams observes, What attracted me to the subjects at a new hour was the discovery then of a neglected peace. By virtue of the subtlety and stillness that infuses this classic body of work, Summer Nights, Walking offers a reason to feel, once more, a regard for the quotidian American landscape.
具體描述
讀後感
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用戶評價
taste like a summer in my childhood.
评分作者的視角和見解還是太地道的美國鄉村風瞭。天天守著這樣的鳥不拉屎的風景已經覺得厭倦瞭。（我擦結果一迴來就讀瞭這人寫的Reading……）
评分作者的視角和見解還是太地道的美國鄉村風瞭。天天守著這樣的鳥不拉屎的風景已經覺得厭倦瞭。（我擦結果一迴來就讀瞭這人寫的Reading……）
评分taste like a summer in my childhood.
评分構圖的下半段樹影像是淩晨2點，上半段的天空卻像傍晚6點。他喜歡用綫分解他的構圖，那些並排的天綫滲透過燈光呈現得更像斷斷續續點與綫。確實完美解釋瞭Jeff Wall所說的“某程度上攝影是模仿繪畫“和Larry Clark的以最真實手法拍攝卻獲得相反的虛構影像，於人造和自然之間。
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