In this exquisitely produced book Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully re-edited and re-sequenced by the photographer, who has added thirty-nine previously unpublished images. Illuminated by moonlight and streetlamp, the houses, roads, sidewalks, and fields in Summer Nights, Walking retain the wonder and stillness of the original edition, while adopting the artists intention of a dreamy fluidity, befitting his nighttime perambulations. The extraordinary care taken with the new reproductions also registers Adamss attention to the subtleties of the night, and conveys his appeal to look again at places we might have dismissed as uninteresting. Adams observes, What attracted me to the subjects at a new hour was the discovery then of a neglected peace. By virtue of the subtlety and stillness that infuses this classic body of work, Summer Nights, Walking offers a reason to feel, once more, a regard for the quotidian American landscape.
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構圖的下半段樹影像是淩晨2點，上半段的天空卻像傍晚6點。他喜歡用綫分解他的構圖，那些並排的天綫滲透過燈光呈現得更像斷斷續續點與綫。確實完美解釋瞭Jeff Wall所說的“某程度上攝影是模仿繪畫“和Larry Clark的以最真實手法拍攝卻獲得相反的虛構影像，於人造和自然之間。
评分抑之說想到是夏夜走走的我。想 Adams 也可能是一個人走夜，走走坐坐，一路往山裏。
评分前言寫道，“從孩提時代起，我就記得夏夜的美麗與寜靜。我們渴望相信當時所見的是永恒的”。無人的靜謐裏，帶著溫柔的暖意。黑白下的光影真美，一盞路燈、一豆星光、一片月光都各具趣味。在夜裏幾乎要模糊掉細節的樹木叢林，用自然的美妙形狀入畫。
评分The only photographer's book I was interested when I was in Pompidou Book Store.
评分構圖的下半段樹影像是淩晨2點，上半段的天空卻像傍晚6點。他喜歡用綫分解他的構圖，那些並排的天綫滲透過燈光呈現得更像斷斷續續點與綫。確實完美解釋瞭Jeff Wall所說的“某程度上攝影是模仿繪畫“和Larry Clark的以最真實手法拍攝卻獲得相反的虛構影像，於人造和自然之間。
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