In Between delves into that career, charting the course of his artistic development from the 1950s into the 1980s with over 200 exceptional images in black and white and color. This monograph reassembles many of the original editorial layouts as they were published in magazines such as French Vogue, British Vogue, and Harper’s Bazaar, offering a new and illuminating critical context in the process. Guy Bourdin tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind.
In Between was conceived and edited by Shelly Verthime, whose unflagging devotion and research have resulted in an unparalleled familiarity with the photographer’s oeuvre. It is the second publication in Steidldangin’s Guy Bourdin library. A Message For You, published in 2006, explored the author’s collaboration with model/muse Nicolle Meyer in the form of an exquisite, two-volume coffret. With In Between, Steidldangin offers a roll-up-your-sleeves guide to his visual vocabulary.
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Guy Bourdin的确很有创意，尤其看了很多现代时尚创意摄影，发现很多都收他的启发
评分A thousand lips
评分太精彩了 紅色高跟鞋 深綠色的草 深藍色泳池 黑色的絲襪
评分花300块钱淘到二手一册，好开心呀
评分一直被模仿，从未被超越，用于Guy Bourdin的作品很贴切。超现实是为商业服务的艺术表现形式，形而上的唯艺术论忽略了本质。Steidldangin的出品，从排版到用纸及其严谨。
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