Refuting the assumption that art is a representational practice, Bolt's striking argument engages with the work of Heidegger, Deleuze and Guattari, C.S.Peirce and Judith Butler to argue for a performative relationship between art and artist. Drawing on themes as diverse as the work of Cezanne and of Francis Bacon, the transubstantiation of the Catholic sacrament and Wilde's novel "The Picture of Dorian Gray," she challenges the metaphor of light as enlightenment, reconceiving this revealing light as the blinding glare of the Australian sun, and suggests that too much light may in fact reveal nothing. Finally she asks: how does an embodied practice fare within the culture of conceptual art?
评分
评分
评分
评分
this has a fabulous bibliography thats hardly outdated in 2020;while the author did too few efforts than just repeting them.
评分this has a fabulous bibliography thats hardly outdated in 2020;while the author did too few efforts than just repeting them.
评分this has a fabulous bibliography thats hardly outdated in 2020;while the author did too few efforts than just repeting them.
评分this has a fabulous bibliography thats hardly outdated in 2020;while the author did too few efforts than just repeting them.
评分this has a fabulous bibliography thats hardly outdated in 2020;while the author did too few efforts than just repeting them.
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有