'This crazy world whirled around her, men and women dwarfed by toys and puppets, where even the birds are mechanical and the few human figures went masked...She was in the night once again, and the doll was herself.' Melanie walks in the midnight garden, wearing her mother's wedding dress; naked she climbs the apple tree in the black of the moon. Omens of disaster, swiftly following, transport Melanie from rural comfort to London, to the Magic Toyshop. To the red-haired, dancing Finn, the gentle Francie, dumb Aunt Margaret and Uncle Phillip. Francie plays curious night music, Finn kisses fifteen-year-old Melanie in the mysterious ruins of the pleasure gardens. Brooding over all is Uncle Philip: Uncle Philip, with blank eyes the colour of wet newspaper, making puppets the size of men, and clockwork roses. He loves his magic puppets, but hates the love of man for woman, boy for girl, brother for sister...In this, her second novel, (awarded the 1967 John Llewellyn Rhys Prize) Angela Carter's brilliant imagination and starting intensity of style explore and extend the nature and boundaries of love.
具體描述
讀後感
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不算高潮的高潮，一把火瞭事。
评分卡特早期作品，其實還是屬於比較傳統的童話故事架構，本來期待會更驚悚詭異一點，不過在年末讀到這麼個有點暖的故事也挺應景的哈。從Melanie化裝成Leda開始，角色的一係列“變形記”非常有趣。
评分卡特早期作品，其實還是屬於比較傳統的童話故事架構，本來期待會更驚悚詭異一點，不過在年末讀到這麼個有點暖的故事也挺應景的哈。從Melanie化裝成Leda開始，角色的一係列“變形記”非常有趣。
评分卡特早期作品，其實還是屬於比較傳統的童話故事架構，本來期待會更驚悚詭異一點，不過在年末讀到這麼個有點暖的故事也挺應景的哈。從Melanie化裝成Leda開始，角色的一係列“變形記”非常有趣。
评分不算高潮的高潮，一把火瞭事。
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