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Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series)
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简体网页||繁体网页
Daniel Russell 作者
University of Toronto Press
译者
1995-11-09 出版日期
336 页数
USD 87.00 价格
Hardcover
丛书系列
9780802006165 图书编码

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Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


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Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 著者简介

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Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series) 在线电子书 图书描述

The emblem and the device (or impresa as it was called in Italy) were the most direct and telling manifestations of a mentality that played a significant role in the discourse and art in Western Europe between the late Middle Ages and the mid-eighteenth century. In the history of Western symbolism, the emblematic sign forms a bridge between late medieval allegory and the Romantic metaphor. These intricate combinations of picture and text, where the picture completes the ellipses of an epigrammatic text, and where the text fixes the intention of the pictured signs, provide useful clues to the way pictures in general were read and textual descriptions visualized in early modern Europe.Daniel Russell demonstrates how the emblematic forms emerged from the way illustrations were used in late medieval French manuscript culture, how the forms were later disseminated in France, and how they functioned within early modern French culture and society. He also attempts to show how the guiding principles behind the composition of emblems influenced the production of courtly decoration, ceremony, and propaganda, as well as the composition of literary texts as different as Maurice Sc|ve's Delie, Montaigne's Essais, and Du Bartas's Sepmaine.

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